Lowens, Irving
Year: 1959
Complete Citation:
Lowens, Irving. “The Curious State of American Music on Records.” Notes 16/3 (June 1959): 371-376.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1960
Complete Citation:
Lowens, Irving. “The American Recordings Project: Progress Report of the Committee, 5 February 1960.” Notes (March 1960) 17/2: 213-220.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1961
Complete Citation:
Lowens, Irving. “U.S. Composers Heard, But Not Often Enough.” Sun-day Star [Washington] (June 25), sec. C, 4.Notes: Reports of and comments on a Musical America tabulation of orchestral repertoire: Copland (23 works, 33 performances); Barber (10, 32); Creston (7, 18); Schuman (7, 18); Piston (5, 15); Ives (5, 11).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Lyman, Zachary Taft
Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Lynn, Debra J.
Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
MacDonald, Malcolm
Year: 1974
Complete Citation:
MacDonald, Malcolm. “Ives Symphony No.4.” Gramophone 52 no. 688 (October 1974), 688.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Magil, Joseph
Year: 2007
Complete Citation:
Magil, Joseph. “Guide to Records - Ives: Quartets; Scherzo.” American Record Guide, Vol. 70, No. 2 (2007): 105-106.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Magil, Joseph. “French Viola.” American Record Guide, Vol. 76, No. 5 (2013): 246.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Malipiero, Riccardo
Year: 1956
Complete Citation:
Malipiero, Riccardo. “American Music Abroad.” Juilliard Review 3 (1955-1956 Winter): 14-19.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Maltz, Richard Steven
Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mangan, Timothy
Year: 1993
Complete Citation:
Mangan, Timothy. “Music Review an OK Chorale Season-Opener: Orange County Edition.” Los Angeles Times, November 1, 1993.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1993
Complete Citation:
Mangan, Timothy. “An OK Chorale Season-Opener.” Los Angeles Times. November 1, 1993, sec. F: 3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2016
Complete Citation:
Mangan, Timothy. “St. Clair and the Pacific Symphony Revive Charles Ives' Symphony no. 2.” TCA Regional News, April 8, 2016.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Marcinik, Laurent
Year: 2015
Complete Citation:
Marcinik, Laurent. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2015): 106-107.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Mark, Michael
Year: 2004
Complete Citation:
Mark, Michael. “Collections: “James Levine Tribute.”” American Record Guide, Vol. 67, No. 5 (2004): 225-226.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Martin, John
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite.” The New York Times. September 15, 1954: 38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mason, Redfern
Year: 1933
Complete Citation:
Mason, Redfern. “Recital Made Up of Moderns.” San Francisco Examiner. April 26, 1933, 17.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Massey, Drew
Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Matthew-Walker, Robert
Year: 1997
Complete Citation:
Matthew-Walker, Robert. “Reviews: Concerts: Andrew Ball at the Wigmore.” Musical Opinion Supplement (1997): 9-10.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances