Schott, Howard
Year: 1989
Complete Citation:
Schott, Howard. “Ives, Schubert & Strauss at Symphony.” Jewish Advocate, 1989, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schuermann, H.G.
Year: 1986
Complete Citation:
Schuermann, H.G. “Musik zwischen Metaphysik und Experiment: dreitägiger Workshop Charles Ives in Bonn.” Musikhandel 37/4 (1986): 177-178.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schulz, Thomas
Year: 2020 (in progress)
Complete Citation:
Schulz, Thomas. "Die Lieder von Charles E. Ives.” Ph.D. diss., Köln Universität, 2020 (in progress).Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Schuneman, Robert
Year: 1976
Complete Citation:
Schuneman, Robert. “Kim Kasling In Chicago-A Review.” The Diapason 67, no. 2 (January 1976): 9.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Schwartz, David Thomas
Year: 2004
Complete Citation:
Schwartz, David Thomas. “The integrity of structure or the structure of integrity: an analysis of Charles Ives' Hallowe'en; Concerto for piano and chamber ensemble.” Ph.D. Dissertation, University of California, Santa Barbara, 2004.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Schwarz, K. Robert
Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Schwarz, Robert K.
Year: 1985
Complete Citation:
Schwarz, Robert K. “Reviews: Symphony No.3; Orchestral Set No. 2.” High Fidelity/Musical America 35, no. 8 (August 1985): 62.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Schweitzer, Vivien
Year: 2009
Complete Citation:
Schweitzer, Vivien. “The Light that is Felt: Songs of Charles Ives.” The New York Times, January 18, 2009, AR25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2013
Complete Citation:
Schweitzer, Vivien. “Chaos Assembled, Beauty Emerges: Arts and Leisure Desk.” The New York Times, April 14, 2013.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Scott, Fred
Year: 1974
Complete Citation:
Scott, Fred. “Ives’ Sonatas.” The Washington Post, October 21, 1974, B9.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Scott Warfield
Year: 2004
Complete Citation:
Warfield, Scott. “Crowd Didn’t Fully Appreciate Unique Music; The National Symphony Orchestra Concert Was Like the Work of Charles Ives — Extraordinary Final Edition.” The Orlando Sentinel, February 2004.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sebastian, John
Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Seibert, Donald C.
Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews
Sellars, James E.
Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Sender, Shelby L.
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Sender, Shelby L. “Innovation in Twentieth-Century American Piano Music.” D.M.A. diss., University of Maryland, College Park, 2013.Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Serebrier, José
Year: 1974
Complete Citation:
Serebrier, José. “Ives the Most Difficult Ever.” Music Journal 32. no. 7 (September 1974): 14-15.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives.” Stereo Review (1975): 48.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Serebrier, José. “Charles Ives—A Composer For All Directions.” Stereo Review 35, no. 1 (July 1975): 48-51.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews