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Bibliography

Feuchtner, Bernd

Year: 1998
Complete Citation:
Feuchtner, Bernd. “The 3 Basses: Christoph Marthaler’s melancholischer Juxabend “The Unanswered Question” in Basel.” Opernwelt: das internationale Opernmagazin, Vol. 39, No. 1 (1998): 36-37.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Filho, Carlos Marigo

Year: 2001
Complete Citation:
Filho, Carlos Marigo. “L'allusion musicale au début du XXe siècle.” Ph.D. diss., Université Panthéon-Sorbonne (Paris), 2001.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fisher, Marjory M.

Year: 1928
Complete Citation:
Marjory M. Fisher. “Jurgen Given in San Francisco.” Musical America (December 15, 1928).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fisher, Marjory M. “Modern Songs Heard by New Music Society.” San Francisco News, April 10, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fonseca-Wollheim, Corinna da

Year: 2012
Complete Citation:
Fonseca-Wollheim, Corinna da. “Ambitious, with Ives Anchoring: Review.” The New York Times, October 30, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fouse, Kathryn Lea

Year: 1992
Complete Citation:
Fouse, Kathryn Lea. “Surrealsim in the Piano Music of Representative 20th-century American Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1992.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 1993
Complete Citation:
Fouse, Kathryn Lea. “Surrealism in the Music of Representative Twen-tieth-Century Composers with Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others.” D.M.A. diss., University of North Texas, 1993.
Notes:

Chapter 2 cites appearances of surrealism characteristics as defined in this paper.

Source: D.M.A. Dissertation.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frank, Alan Robert

Year: 1969
Complete Citation:
Frank, Alan Robert. “The Music of Charles Ives: For Presentation in the Listening Program of the Secondary School.” Ed.D. diss., Columbia University, 1969.
Source: Ed.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frankenstein, Alfred

Year: 1943
Complete Citation:
Frankenstein, Alfred. “How to Make Friends by Radio.” Modern Music (November--December 1943) 21/1: 6--9.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1955-56
Complete Citation:
Frankenstein, Alfred. “American Music at Home.” The Juilliard Review 3, no. 1 (Winter 1955-56): 3-7.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Frantz, Donald Howe, Jr.

Year: 1960
Complete Citation:
Frantz, Donald Howe, Jr. “Search for Significant Form, 1905-1915: An Evaluation of the Symbols of Tradition and Revolt in American Literature, Painting, and Music.” Ph.D. diss., University of Southern California, 1960.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Freed, Richard D.

Year: 1968
Complete Citation:
Freed, Richard D. “Stokowski Leads Symphony by Ives.” New York Times. December 20, 1968, 50.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fried, Alexander

Year: 1933
Complete Citation:
Fried, Alexander. “Music Society Offers Novelty in ‘Daniel Jazz.’” San Francisco Chronicle. April 26, 1933.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fried, Alexander. “Taste for Modernism Satisfied in New Music Society Recital.” San Francisco Chronicle, April 10, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Fried, Alexander. “‘Ionization’s’ Percussions Pester Night Air—and Ear.” San Francisco Chronicle, May 29, 1934.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fricke, Stefan

Year: 2004
Complete Citation:
Fricke, Stefan. “Im Märzen Musik.” Dissonanz (2004): 45.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Froneman, Kristin

Year: 2012
Complete Citation:
Froneman, Kristin. “Triple Forte Offers a Reason to Get Dressed Up.” Vernon Morning Star, November 18, 2012, B5.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fuller, Donald

Year: 1942
Complete Citation:
Fuller, Donald, “New York Mid-Season, 1942-’43.” Modern Music XX, 1 (November-December 1942): 113.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances