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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Gatens, William J.

Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gillespie, Matthew D.

Year: 2014
Complete Citation:
Gillespie, Matthew D. “A Continuum of Tonal Coherence: Pitch Organization in ‘General William Booth Enters into Heaven’ by Charles Ives, and, ‘Chiaroscuro’ for Chamber Ensemble.” Ph.D. diss., University of Pittsburgh, 2014.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gilman, Janet Lynn

Year: 1994
Complete Citation:
Gilman, Janet Lynn. “Charles Ives - master songwriter: the methods behind his madness.” Ph.D. diss., University of Southern California, 1994.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gilmore, Bob

Year: 2010
Complete Citation:
Gilmore, Bob. “Criticism: Recorded - Heather O’Donnell: “Responses to Ives.”” JMI: The Journal of Music in Ireland, Vol. 1, No. 6 (2010): 60.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ginell, Richard S.

Year: 2013
Complete Citation:
Ginell, Richard S. “Ojai Festival and Mark Morris: Tour de Force, of Course.” American Record Guide, Vol. 76, No. 5 (2013): 19-21.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gingerich, Lora Louise

Year: 1983
Complete Citation:
Gingerich, Lora Louise. “Processes of Motivic Transformation in the Keyboard and Chamber Music of Charles Ives.” Ph.D. diss., Yale University, 1983.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Glarner, Robert Lewis

Year: 1993
Complete Citation:
Glarner, Robert Lewis. “An investigation into the relationship of instrumental density and dynamics of the fourth symphony by Charles Ives.” Ph.D. Dissertation, University of Arizona, 1993.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Glass, Herbert

Year: 1987
Complete Citation:
Glass, Herbert. “On the Record: Mainstream Americana.” Los Angeles Times, January 18, 1987, 60.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Glass, Herbert. “On the Record: More Early Americana on CDs.” Los Ange-les Times, October 8, 1989: 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1991
Complete Citation:
Glass, Herbert. “Ives—Will He Have Staying Power This Time?” Los Ange-les Times, April 14, 1991, sec. CAL, 49.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “On the Record: An American Triple Play.” Los Angeles Times, May 16, 1993, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “Ives: Mt. Rushmore of American Music.” Los Angeles Times. February 7, 1993: 52.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
Glass, Herbert. “Thomas Hampson: Defining Ives.” Gramophone, Vol. 79 (2002): A3.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gold, Gerald

Year: 1991
Complete Citation:
Gold, Gerald. “Record Notes; Yankee Doodle is Doing Dandy. (Arts & Leisure Desk).” The New York Times, July 21, 1991.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goldberg, Isaac

Year: 1932
Complete Citation:
Goldberg, Isaac. “Nicolas Slonimsky and the New American Composers.” Disques III, 5, July 1932, 29-30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goldstein, Howard

Year: 2012
Complete Citation:
Goldstein, Howard. “Reviews: Chamber - Ives: Complete Violin Sonatas.” BBC Music Magazine, Vol. 20, No. 4 (2012): 84.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goleeke, Tom

Year: 1962
Complete Citation:
Goleeke, Tom. “A discussion of ten songs by three American composers.” D.M.A. thesis, Stanford University, 1962.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Goodfriend, James

Year: 1966
Complete Citation:
Goodfriend, James. “Charles Ives: Making Up for Lost Time.” HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goodman, Hal

Year: 1987
Complete Citation:
Goodman, Hal. “Home Video; Music.” The New York Times. November 1, 1987, sec. 2, 38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Goss, Madeline

Year: 1955
Complete Citation:
Goss, Madeline. “Charles Ives.” Diapason II [Milan] 5/1 (January 1955): 5-14.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews