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Bibliography

Serebrier, José

Year: 1975
Complete Citation:
Serebrier, José. “Ives for Orchestra.” The Instrumentalist 29 (February 1975): 40-41.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Serebrier, José and John Kirkpatrick

Year: 1974
Complete Citation:
Serebrier, José, and John Kirkpatrick. “Charles Ives’ Fourth.” Symphony News 25, no. 5 (1974), 11-12.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Service, Jr., Alfred Roy

Year: 1958
Complete Citation:
Service, Jr., Alfred Roy. “A Study of the Cadence as a Factor in Musical Intelligibility in Selected Piano Sonatas by American Composers.” Ph.D. diss., University of Iowa, 1958.
Notes:

Ives is one of seven-teen composers discussed.

Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Sherwood, Gayle D.

Year: 1995
Complete Citation:
Sherwood, Gayle D. “The choral works of Charles Ives: chronology, style, reception.” Ph.D. Dissertation, Yale University,1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Shirley, Wayne

Year: 1967
Complete Citation:
Shirley, Wayne. “Ives’s ‘Holidays': A Glorious ‘Fourth,’ and No Anticli-max.” High Fidelity/Musical America 17/9, September 1967, 79-80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Shirley, Wayne. “The Challenge of Ives Brings a New Round of Chal-lengers.” High Fidelity/Musical America 18/6, June 1968, 80-81.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Shore, Jay

Year: 1971
Complete Citation:
Shore, Jay. “Record: Calcium Light Night.” The Rolling Stone 84 (June 10, 1971): 46.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Shultis, Christopher L.

Year: 1993
Complete Citation:
Shultis, Christopher L. “Silencing the Sounded Self: John Cage and the Experimental Tradition in Twentieth-Century American Poetry and Music.” Ph.D. diss., University of New Mexico, 1993.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Simon, Eric

Year: 1968
Complete Citation:
Simon, Eric. “Der späte Ruhm des seltsamen Charles Ives” [The Be-lated Fame to the Singular Charles Ives]. HiFi--Stereophonie (January 1968) 7/1: 58-59.
Notes:

The uniqueness of the composer’s style is emphasized; Ives is compared to Silvestre Revueltas and Leos Janacek.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Simon, Jeff

Year: 2016
Complete Citation:
Simon, Jeff. “Listening Post: New Jazz Trio to Hallwalls, All-Ives Disc from Seattle.” TCA Regional News, January 28, 2016.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Skinner, Myles L.

Year: 2007
Complete Citation:
Skinner, Myles L. “Toward a Quarter -Tone Syntax: Analyses of Selected Works by Blackwood, Hába, Ives, and Wyschnegradsky.” Ph.D. diss., University of Buffalo, 2007.
Source: Ph. D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Smith, Delos

Year: 1966
Complete Citation:
Smith, Delos. “Both Ives, Mahler Works Recorded.” The Austin Statesman, February 9, 1966, 34. Feb 9.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Ken

Year: 2004
Complete Citation:
Ken Smith. “The Principal of Chaos.” Gramophone 82/981 (July 2004): 38--41.
Notes:

A rather comprehensive review of recordings of the symphonies [D078. D079, D083, D085, D097, D098, D116, D156, D157, D217, D306, D333, D351, D365, D383, D440, D446, D448, D457, D467, D560, D583] to determine preferred ones. Includes a drawing by Neale Osborne.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Steve

Year: 2002
Complete Citation:
Smith, Steve. “The Classical Score: American Maverick.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 114, No. 6 (2002): 18.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Smith, Steve; Holden, Stephen; Schweitzer, Vivien

Year: 2009
Complete Citation:
Smith, Steve, Stephen Holden, and Vivien Schweitzer. “Recordings.” 21st Century Music, Vol. 16, No. 3 (2009): 12.
Source: Journal (recording review or list)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sole, Kenneth Gale

Year: 1976
Complete Citation:
Sole, K. G. A Study and Performance of Five Psalm Settings and “The Celestial Country” by Charles Edward Ives.” D.M.A. diss., University of Southern California, 1976.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Steane, John

Year: 2005
Complete Citation:
Steane, John. “Reviews: Vocal - Ives: “A Song - For Anything.”” Gramophone, Vol. 83: 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Stein, Alan

Year: 1975
Complete Citation:
Stein, Alan. “The Musical Language of Charles Ives’ Three Places in New England.” D.M.A. diss., University of Illinois, 1975.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Steinberg, Michael

Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965, 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1965
Complete Citation:
Steinberg, Michael. “Zukofsky and Kalish Play Ives Sonatas.” The Boston Globe, May 25, 1965: 33.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews