Thoegersen, Peter Alexander
Year: 2012
Complete Citation:
Thoegersen, Peter Alexander. “Polytempic polymicrotonal music: “a road less traveled”.” Urbana, Illinois: University of Illinois at Urbana-Champaign, 2012.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Thomas, Philip
Year: 1996
Complete Citation:
Thomas, Phillip. “Music for One or More Alternately Tuned Acoustic Pianos, 1920-1993: Trends in Melody, Harmony, and Technique.” Ph.D. diss., University of Cincinnati, 1996.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Thompson, Bradley L.
Year: 2006
Complete Citation:
Thompson, Bradley L. “A matter of time: a lecture-recital on temporal issues in selected songs of Charles Ives.” D.M.A. Thesis, University of Colorado, 2006.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Thurmaier, David Paul
Year: 2006
Complete Citation:
Thurmaier, David Paul. “Time and Compositional Process in Charles Ives’s Holidays Symphony.” Ph.D. diss., Indiana University, 2006.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Varley, Dennis Matthew
Year: 1983
Complete Citation:
Varley, Dennis Matthew. “Charles E. Ives and Second pianoforte sonata, Concord, Mass., 1840-1860.” D.M.A. thesis, University of Colorado, 1983.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Vastano, Robert Guy
Year: 2002
Complete Citation:
Vastano, Robert Guy. “A biographical and theoretical analysis of the trumpet in selected chamber works of Charles Ives: an aid to performance.” D.M.A. Thesis, University of Texas at Austin, 2002.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Victor, Jini
Year: 1974
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.Source: Sculpture
Reprints: Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
Von Glahn, Denise
Year: 2008
Complete Citation:
Von Glahn, Denise. “Charles Ives at “Christo's Gates.”” Twentieth Century Music, Vol. 5, No. 2 (2008): 157-178.Source: Journal
XVI. Photographs and Artwork
B. Artwork
von Kager, Erica
Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.Notes: Based on a Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
Walker, Gwyneth
Year: 1976
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wallach, Laurence
Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Walton, Scott
Year: 2003
Complete Citation:
Walton, Scott. “An improvisational reading of Charles Ives's Concord sonata.” D.M.A. thesis, University of California, San Diego, 2003.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ward, Charles Wilson
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Ward, Keith Charles
Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Watson, Leda
Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.Notes: Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].
Source: Collage
XVI. Photographs and Artwork
B. Artwork
Waxman, Jonathan
Year: 2012
Complete Citation:
Waxman, Jonathan. “Prefacing Music in the Concert Hall: Program Books, Composer Commentaries, and the Conflict over Musical Meaning.” Ph.D. diss., New York University, 2012.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
White, Bruce Howard
Year: 1978
Complete Citation:
White, Bruce Howard. “Evidence of three stylistic periods in selected Psalm settings by Charles E. Ives.” D.M.A. thesis, University of Colorado, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wild, Chris
Year: 2018
Complete Citation:
Wild, Chris. “Charles Ives’ Three Places in New England: An Interpretation and a Conductor’s Guide.” Bienen School of Music, Northwestern University, 2018.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, Donald M.
Year: 1965
Complete Citation:
Wilson, Donald M. “Metric modulation in the music of Charles Ives.” D.M.A. thesis, Cornell University, 1965.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Wilson, Lawrence
Year: 1981
Complete Citation:
Wilson, Lawrence. “Ragtime: Its Roots, Style, and Influence,” 90-92. D. Mus. dis-s., Indiana University, 1981.Source: D. Mus. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations