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Bibliography

Carlson, Paul Bollinger

Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chandler, Bruce

Complete Citation:
Chandler, Bruce. Woodcut portrait, 1977. In A Meditation on Charles Ives, by Mark Weiss. Ephemon Collection, Rare Book, New York Public Library, 1977.
Source: Woodcut portrait
XVI. Photographs and Artwork
B. Artwork

Chau, Paul S.

Year: 1982
Complete Citation:
Chau, Paul S. “The piano trio paul chau.” D.M.A. diss., University of Colorado, 1982.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chernov, Eric B.

Year: 2009
Complete Citation:
Chernov, Eric B. “Where the truer beauties lie: analytical issues in four unbarred songs by Charles Ives.” Ph.D. Dissertation, State University of New York at Buffalo, 2009.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Chien, Gloria

Year: 2004
Complete Citation:
Chien, Gloria. “Comic and cosmic : the idiosyncratic humor of Charles Ives as illustrated in his scherzos and take-offs.” D.M.A. Thesis, New England Conservatory of Music, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Childs, Andrew S.

Year: 2004
Complete Citation:
Childs, Andrew S. “The children's hour: the thematic use of childhood in the songs of Charles Ives.” D.M.A. Thesis, University of Washington, 2004.
Source: D.M.A. Thesis
A. Dissertations

Clark, Sondra Rae

Year: 1972
Complete Citation:
Clark, Sondra Rae. “The Evolving Concord Sonata: A Study of Choices and Variants in the Music of Charles Ives.” Ph.D. diss., Stanford University, 1972.
Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Clooney, Denise von Glahn

Year: 1995
Complete Citation:
Clooney, Denise von Glahn. “Reconciliations: Time, Space, and the American Place in Music of Charles Ives.” Ph.D. diss., University of Washington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Coakley, John P.

Year: 1982
Complete Citation:
Coakley, John P. “The artistic process as religious enterprise: the vocal texts of Charles Ives and the poetry of E.E. Cummings.” Ph.D. diss., Brown University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cober, Alan E.

Year: 1994
Complete Citation:
Cober, Alan E. Illustration. Atlantic Monthly 273/1 (January 1994): 106.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Cohen, Jacob

Year: 2017
Complete Citation:
Cohen, Jacob. “Constructions of New England Identity and Place in American Music, 1885-1935.” Graduate Center, CUNY, 2017.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Coleman, Donna

Year: 1986
Complete Citation:
Coleman, Donna. “A source study of the fifth movement of Charles Ives's first piano sonata: toward a critical edition.” D.M.A. thesis, University of Rochester, 1986.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cooney, Denise Van Glahn

Year: 1995
Complete Citation:
Cooney, Denise von Glahn. “Reconciliations: Time, Space and American Place in the Music of Charles Ives.” Ph.D. diss., University of Wash-ington, 1995.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cornett-Murtada, Vanessa

Year: 2004
Complete Citation:
Cornett-Murtada, Vanessa. “Quotation, revolution, and American culture: the use of folk tunes and the influence of Charles Ives in Frederic Rzewski's North American ballads for solo piano.” D.M.A. Thesis, University of North Carolina at Greensboro, 2004.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Covington, Katherine Russell

Year: 1982
Complete Citation:
Covington, Katherine Russell. “A Study of Textural Stratification in 20th- century Compositions.” Ph.D. diss., Indiana University, 1982.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Cuffiani, Barbara

Year: 1996
Complete Citation:
Cuffiani, Barbara. “Gli Studi per pianoforte di Charles Edward Ives: studio sulla genesi e la tradizione dei testi musicali.” Ph.D. diss., Università di Pavia, 1996.
Source: Ph.D Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Dattel, Michel

Complete Citation:
Dattel, Michel. Homage to Charles Ives (1996--1999); mixed media (col-lage, watercolor, ink) on paper (16 x 24 inches).
Notes:

“A graphic interpretation of Ives’ music, especially ‘The Unanswered Question’ (1906) and ‘Three Places in New England’ (1903--1904).”

Source: Mixed media
XVI. Photographs and Artwork
B. Artwork

Davies, Hilary W.

Year: 1987
Complete Citation:
Davies, Hilary W. "The correlation between source and style in the music of Ives.” Ph.D. diss., University of Wales, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davis, Joel Scott

Year: 2011
Complete Citation:
Davis, Joel Scott. “The Populist Variations: The Role of Hymnody in the Music of Charles Ives, Aaron Copland, and John Adams.” D.M.A. diss., Claremont Graduate University, 2011.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Davies, John Nigel

Year: 1973
Complete Citation:
Davies, John Nigel. “Two aspects of the American avant-garde: Charles Ives and John Cage: a dissertation.” Ph.D. diss., 1973.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations