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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Liu, Francis M.

Year: 2011
Complete Citation:
Liu, Francis M. ““Vintage Modernism”: Early Experimentalist Music for Violin in the United States.” D.M.A. diss., University of Maryland, College Park, 2011.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lo, Chau-Yee

Year: 2004
Complete Citation:
Lo, Chau--Yee. “Endangered Species: The Harpsichord and Its New Repertoire since 1960.” Ph.D. diss., University of Leeds, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lotto, Albert

Year: 1978
Complete Citation:
Lotto, Albert. “Experimental aspects of the completed short piano pieces of Charles Ives: with an edition of the unpublished works.” D.M.A. Thesis, The Juilliard School, 1978.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lyman, Zachary Taft

Year: 2007
Complete Citation:
Lyman, Zachary Taft. “Duality and process in "The greatest legend of American Music": a comparative study of realizations and completions of Charles Ives's Universe Symphony by Larry Austin, David Porter, and Johnny Reinhard.” Ph.D. diss., University of Iowa, 2007.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lynn, Debra J.

Year: 1999
Complete Citation:
Lynn, Debra J. “Learning sequences for the experimental choral psalm settings of Charles Ives.” D.A. in Music, diss., Ball State University, 1999.
Source: D.A. in Music Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Maltz, Richard Steven

Year: 1991
Complete Citation:
Maltz, Richard Steven. “Microtonal techniques in Charles Ives's 'Three quarter-tone pieces for two pianos, ' Harry Patch's 'And the seventh day petals fell in Petaluma', and Ben Johnston's 'Fourth string quartet’.” Ph.D. diss., University of South Carolina, 1991.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Martin, Warren Charles

Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Massey, Drew

Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McCandless, William Edgar

Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Charlene Harb

Year: 1978
Complete Citation:
McDonald, Charlene Harb. “Trends in Selected Piano Sonatas of the First Quarter of the 20th Century: Formal Processes and Pianism.” D.M.A. diss., Indiana University, 1978.
Source: D.M.A. Disser-tation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

McDonald, Matthew James

Year: 2004
Complete Citation:
McDonald, Matthew James. “Translating experience, transcending time: temporal procedures and their expressive meanings in the music of Charles Ives.” Ph.D. diss., Yale University, 2004.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mulligan, Terry Gilbert

Year: 1978
Complete Citation:
Mulligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instrument.” Ph.D. Diss., University of Texas at Austin, 1978.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mumper, Dwight Robert

Year: 1971
Complete Citation:
Mumper, Dwight Robert. “The First Piano Sonata of Charles Ives.” D.M.A. diss., Indiana University, 1971.
Source: D.M.A. dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Muñiz, Jorge

Year: 2004
Complete Citation:
Muñiz, Jorge. “The Use of Quotation in the Music of John Corigliano.” D.M.A. diss., Manhattan School of Music, 2004.
Notes:

Includes references to Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations