Ruff, Erwin
Year: 1942
Complete Citation:
Ruff, Erwin. “A Study of Five Songs of Charles Ives.” M.A. thesis, Eastman School of Music, The University of Rochester, 1942.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Rutledge, John Alvin
Year: 1975
Complete Citation:
Rutledge, John Alvin. “A quartet for Charles Ives.” M.S. Thesis, Boston University, 1975.Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sachs, Joel
Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Sarette, Gregory L.
Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Scherer, Barrymore Laurence
Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Schermer, Richard
Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Schonberg, Harold
Year: 1974
Complete Citation:
Schonberg, Harold. “The Pulse of America Beats in the Music of Ives.” The New York Times. October 6, 1974.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Schonberg, Harold C.
Year: 1974
Complete Citation:
Schonberg, Harold C. “Innovation—So What Else is New?” The New York Times. October 20, 1974, sec. D, 21.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Schuld, Diana Boe
Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.Source: M.A. Thesis
B. Theses
Schulz, Reinhard
Year: 2001
Complete Citation:
Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Senick, John Peter
Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shackelford, Rudy
Year: 1978
Complete Citation:
Shackelford, Rudy. “The Yaddo Festivals of American Music, 1932-1952.” Perspectives of New Music, vol. 17, no. 1 (1978): 92-125.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Sharp, Mary Elizabeth
Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.Notes: References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Shelton, Gregory Allard
Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Sherman, Robert
Year: 1974
Complete Citation:
Sherman, Robert. “Music: For Ives, Deft 114-Song Salute.” The New York Times, November 19, 1974, 52.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Sherman, Robert. “For Ives, a Lovely Sound in Brooklyn.” The New York Times.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Sherman, Robert. “Music Fair to Open Site of Ives Center.” The New York Times, September 23, 1984, sec. 11, CN, 19.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1987
Complete Citation:
Sherman, Robert. “Music; Ives Series a La Danbury and Canterbury School.” The New York Times, August 16, 1987.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
Year: 1996
Complete Citation:
Sherman, Robert. “Charles Ives in Bard Spotlight.” The New York Times, August 4, 1996.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
Sherwood, Gayle
Year: 2005
Complete Citation:
Sherwood, Gayle, chair. “Charles Ives [Panel].” Panel at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.Source: Conference paper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences