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Bibliography

O’Keefe, Andrew Michael

Year: 2012
Complete Citation:
O’Keefe, Andrew Michael. “Teaching repertoire through awareness of compositional techniques.” M.M. thesis, Belmont University, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

O’Reilly, F. Warren

Year: 1976
Complete Citation:
O'Reilly, F. Warren. South Florida’s Historic Festival 1974-1976. Coral Gables, FL: University of Miami, 1976.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Otten, Jürgen

Year: 2004
Complete Citation:
Otten, Jürgen. “Auf Transzendentalistischem Pfad: Das Festival Maerzmusik in Berlin Beschäftigte Sich Mit Charles Ives Und Den Konsequenzen.” Neue Zeitschrift Für Musik, vol. 165, no. 3 (2004): 68-68.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Owren, Betty Ann F.

Year: 1974
Complete Citation:
Owren, Betty Ann F. “A study and analysis of selected songs by Charles Ives.” M.A. Thesis, San Jose State University, 1974.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Palmer, Lyelle Lee

Year: 1963
Complete Citation:
Palmer, Lyelle Lee. “Some techniques of composition, employed by Charles Edward Ives in 114 songs.” M.M. thesis, Southern Methodist University, 1963.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Palonis, Cheryl

Year: 1976
Complete Citation:
Palonis, Cheryl. “"Gatherings": a choreographic tribute to Charles Ives.” M.F.A. Thesis, Department of Ballet and Modern Dance, University of Utah, 1976.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Parks, Marty

Year: 1983
Complete Citation:
Parks, Marty. “Composition in isolation: an historical survey of the religious choral works of Charles Ives.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Patkin, Nehama

Year: 1976
Complete Citation:
Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Perlis, Vivian

Year: 1996
Complete Citation:
Perlis, Vivian. “An Introduction to Charles Ives.” Pre-concert talk at The Unanswered Question [Festival]. Barbican Centre; Leadenhall Market; St. Giles Church, Cripplegate; London, United Kingdom, January 19 to 21, 1996.
Source: Pre-concert talk.
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Permoser, Manfred

Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Perry, Rosalie Sandra

Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Pinotti, Cintia Maria Annichino

Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.
Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Pitney, Robert

Year: 1932
Complete Citation:
Pitney, Robert. “Musical Chronicles: Yaddo and Gurre.” Hound and Horn 5 (July-September 1932): 666.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Porter, David H.

Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Quackenbush, Margaret Diane

Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rackemann, Adelaide C.

Year: 1974
Complete Citation:
Rackemann, Adelaide C. “Remembering Ives.” The Sun, June 23, 1974, D5.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary

Rarig, Howard Raymond

Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Raynes, Bethany

Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rayson, John Baird

Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses