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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Brandt, R. Lynne

Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Brooks, William

Year: 1977
Complete Citation:
Brooks, William. “Ives Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 209-23. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bruce-Clyne, Katherine

Year: 1993
Complete Citation:
Bruce-Clyne, Katherine. “Analyses of ten songs by Charles Edward Ives.” M.A. thesis, City College of New York, 1993.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bruce, Neely

Year: 1977
Complete Citation:
Bruce, Neely. “Ives and Nineteenth-Century American Music.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 29-43. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bryant, Sister Emily Marie

Year: 1966
Complete Citation:
Bryant, Sister Emily Marie. “The avant-garde character of Charles Ives's music exemplified in representative vocal, chamber, and symphonic works.” M.A. thesis, Mount St. Mary's College, 1966.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Buhrman, Laurel Chenault

Year: 1961
Complete Citation:
Buhrman, Laurel Chenault. “An analysis of the music of Charles Ives.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Burkholder, J. Peter

Year: 1990
Complete Citation:
Burkholder, J. Peter. “Chalres Ives the Avant-Gardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse. Regensburg: Gustav Bosse Verlag, 1990.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Burkholder, J. Peter, ed.

Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and His World Festival, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18.
Notes:

Seventh in Bard College’s annual "Rediscoveries" series.

Source: Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds.

Year: 2008
Complete Citation:
Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds. Transkription und Fassung in der Musik des 20. Jahrhunderts: Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004. Stuttgart, Germany: Franz Steiner Verlag, 2008.
Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Bylander, Cindy

Year: 2014
Complete Citation:
Bylander, Cindy. “Charles Ives and Poland’s Stalowa Wola Festival: Inspirations and Legacies.” The Polish Review, vol. 59, no. 2 (2014): 43-60.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Cantrick, Susan Birdsall

Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Carter, Elliott

Year: 1946
Complete Citation:
Carter, Elliott. “Notes on the Program: Charles Ives.” Program notes for Second Annual Festival of Contemporary American Music, 6-10. Columbia University, New York, May 10-13, 1946.
Source: Program Notes/Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Castleman, Lisa D.

Year: 2013
Complete Citation:
Castleman, Lisa D. “A conductor's practical approach to "Country Band" March by Charles Ives.” M.M. Thesis, California State University, Long Beach, 2013.
Source: M.M. Thesis
B. Theses

Clark, Philip Steven

Year: 1966
Complete Citation:
Clark, Philip Steven. “An analysis of the second movement, "Hawthorne," of Piano sonata no. 2, "Concord, Mass., 1840-1860" by Charles Ives.” M.M. Thesis, DePauw University, 1966.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cole, Michael S.

Year: 1975
Complete Citation:
Cole, Michael S. “Concord revisited: Charles Ives and the American transcendentalists.” M.A. Thesis, York University, 1975.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Conway, Bret K.

Year: 1985
Complete Citation:
Conway, Bret K. “Harmonic evolution in Charles Edward Ives's 114 songs.” M.M. thesis, Baylor University, 1985.
Source: M.M. Thesis
C. Baccalaureate Essays
B. Theses

Cowell, Henry, ed.

Year: 1933
Complete Citation:
Cowell, Henry, ed. “American Composers on American Music: A Symposium.” Stanford, California: Stanford University Press, 1933.
Source: Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses