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Bibliography

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crunden, Robert M.

Year: 1977
Complete Citation:
Crunden, Robert M. “Charles Ives’s Place in American Culture.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchchock and Vivian Perlis, 4-15. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Daniel, Oliver

Year: 1955
Complete Citation:
Daniel, Oliver. “The New Festival.” American Composers Alliance Bulletin 5/1 (1955): 3-9, 14-23.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Daugherty, Michael

Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. “New York, New Haven.” Musical Times 115 (December 1974): 1067-1069.
Notes:

Related to Ives Centennial conference

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Eames, Philip

Year: 2010
Complete Citation:
Eames, Philip. “Approaches to the Hawthorne Movement of the Concord Sonata by Charles Ives.” M. Mus. Thesis, Griffith University, 2010.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Eckert, David C.

Year: 2012
Complete Citation:
Eckert, David C. “An instrumental conducting recital document.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis/Recital Document
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Engel, A. Lehman

Year: 1932
Complete Citation:
Engel, A. Lehman. “Music Notes: The Yaddo Festival of American Music.” Symposium III, 4 (October 1932): 495-502.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Finaldi, Edmond T.

Year: 1961
Complete Citation:
Finaldi, Edmond T. “Some musical ideas of Charles E. Ives, Connecticut's pioneer in contemporary music.” M.S. thesis, Western Connecticut State University, 1961.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fisher, Jeff

Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fleming, Shirley

Year: 1975
Complete Citation:
Fleming, Shirley. “Of Ives, Elephants, and Polish Independence: A Five Day Festival Covers It All.” High Fidelity/Musical America 25/2 (February 1975): 26-29.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Forte, Allen

Year: 1977
Complete Citation:
Forte, Allen. “Ives and Atonality.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 159-186. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Frayne, Rob

Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fruchterman, Alessandra Astete

Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Frye, Daniel W.

Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.
Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gammill, Ellen Reed

Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses