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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Stout, Andrew

Year: 2016
Complete Citation:
Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew H.

Year: 2016
Complete Citation:
Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Struble, John Warthen

Year: 1978
Complete Citation:
Struble, John Warthen. “The Concord Sonata of Charles E. Ives: A Reference for Pianists and Scholars.” M.A. thesis, University of California at San Diego, 1978.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sulouff, Jack F.

Year: 1985
Complete Citation:
Sulouff, Jack F. “The second violin sonata of Charles Ives: a thematic analysis.” Northern Illinois University, 1985.
Source: M. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Sundell, Steven Lynn

Year: 1973
Complete Citation:
Sundell, Steven Lynn. “Charles Ives' use of simultaneity to conflict and blur tonality: the projection of multiple layers of music in "Putnam's camp" and related sources.” M.M. Thesis, University of Wisconsin-Madison, 1973.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Thomson, Alexander J.

Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: An Analysis and Application of His Scoring Techniques.” M.S. thesis, Western Connecticut State Uni-versity, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1969
Complete Citation:
Thomson, Alexander J. “Charles Ives: an analysis and application of his scoring technique.” M.S. Thesis, Western Connecticut State University, 1969.
Source: M.S. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ufema, Cathryn Fekla

Year: Year unlisted
Complete Citation:
Ufema, Cathryn Fekla. “The Choral Psalms of Charles Ives.” M.A. Thesis, Pennsylvania State University.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ura, Yuichi

Year: 2008
Complete Citation:
Ura, Yuichi. “A composer/conductor's insights into creative processes in composing and conducting original and core repertoire.” M.M. thesis, St. Cloud State University, 2008.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Urban, Marshall Linwood

Year: 1988
Complete Citation:
Urban, Marshall Linwood. “An investigation into elements of abstract compositional language, program, and philosophical expression in Charles Ives' "General William Booth Enters into Heaven”.” M.M. thesis, Boston University, 1988.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Vulpi, Frank

Year: 1982
Complete Citation:
Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wagner, Jeanine F.

Year: 1981
Complete Citation:
Wagner, Jeanine F. “A comparison of Charles Ives’ “The Children's hour” and Carl Ruggles’ “Toys”.” M.M. thesis, Southern Illinois University at Carbondale, 1981.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wallach, Larry

Year: 1996
Complete Citation:
Wallach, Larry. “A Work and Its Sources: The Second Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Weber, Paul D.

Year: 1979
Complete Citation:
Weber, Paul D. “Charles Ives and nineteenth century American church music.” M.A. Thesis, Yale University, 1979.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wendt, Rudolph

Year: 1946
Complete Citation:
Wendt, Rudolph. “A study of Charles Ives' second pianoforte sonata "Concord, Mass., 1840-60.” M.M. Thesis, University of Rochester, 1946.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wessel, Frederick T.

Year: 1941
Complete Citation:
Wessel, Frederick T. “A study of the lives and works of three representative American art-song composers.” M.M. thesis, DePauw University, 1941.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Weyer, Waldo Wilhelm

Year: 2004
Complete Citation:
Weyer, Waldo Wilhelm. “Die interpretasie van Charles E. Ives se Concord Sonate volgens sy Essays before a sonata.” M.Mus. Thesis, North-West University, Potchefstroom Campus, 2004.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Whallon, Evan

Year: 1953, 1954
Complete Citation:
Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Wiebe, Michael G.

Year: 1998
Complete Citation:
Wiebe, Michael G. “The use and influence of nineteenth-century campmeeting and revival music in the songs of Charles Ives and Aaron Copland.” M.A. Thesis, Boise State University, 1998.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiens, Carl K.

Year: 1992
Complete Citation:
Wiens, Carl K. “Structural organization in selected songs from Charles Ives's 114 songs.” M.A. thesis, McGill University, 1992.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses