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Bibliography

Blitzstein, Marc

Year: 1932
Complete Citation:
Blitzstein, Marc. “Review of ‘In the Night’ (Pan American Concert, New York, February 16, 1932).” Modern Music 9/3 (March, 1932).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings

Blyth, Alan

Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Boatwright, Howard

Year: 1956
Complete Citation:
Howard Boatwright, ed. “Epilogue.” In Paul Boatwright's B.A. thesis, Yale University, 1956.
Notes:

B.A. thesis in graphic arts

Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bogulavsky, Johanna

Year: 1995
Complete Citation:
Bogulavsky, Johanna. “Reception theory as a technique for musical analysis : the case of Charles E. Ives' "Putnam's Camp”.” M.M. thesis, Columbia University, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Boissard, Bertrand

Year: 2014
Complete Citation:
Boissard, Bertrand. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2014): 91-92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bolle, Sonja

Year: 2003
Complete Citation:
Bolle, Sonja. “Children’s Books/Inspiring Lives: All Editions.” Newsday, January 26, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Borgman, George Allan

Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.
Notes:

Numerous citations for Ives.

Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowden, Derek T.

Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bowen, Meirion

Year: 1972
Complete Citation:
Bowen, Meirion. “Concerts: Contemporary.” Music and Musicians 20, no. 7 (March 1972): 66.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Bozynski, Michelle Carole

Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Braid, Andrew

Year: 2004
Complete Citation:
Braid, Andrew. “Charles Ives, American Original, at Last Gets a Full Tribute: All Editions. Sunday.” The Record, May 9, 2004.
Notes:

Special to the Record

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brandt, R. Lynne

Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Bratishenko, Lev

Year: 2015
Complete Citation:
Bratishenko, Lev. “Illusions Satisfying, Like a Hearty New Music Sandwich.” Montreal Gazette, May 2, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Briggs, J.

Year: 1954
Complete Citation:
Briggs, J. “Records: Works by Scriabin and Ives.” The New York Times, May 23, 1954, X6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Bronson, Carl

Year: 1932
Complete Citation:
Bronson, Carl. “Ultra-Modern Music Rules in Concert.” Los Angeles Evening Herald, December 31, 1932, 322.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brookes, Stephen

Year: 2015
Complete Citation:
Brookes, Stephen. “Performance of Ives Sonata is Beyond Words.” The Washington Post, November 24, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Brookes, Stephen. “A Fresh Take on the Rarely Heard Music of Charles Ives.” The Washington Post, November 23, 2015.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Brown, Geoff

Year: 1999
Complete Citation:
Brown, Geoff. “Charles Ives: Three Places in New England: 1F Edition.” Times (London, England), October 12, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “SFS/Thomas: Final 4 Edition.” Times (London, England), May 12, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Brown, Geoff. “Torrent show: Final 1 Edition.” Times (London, England), January 28, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances