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Bibliography

Cox, Paul Walthen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An Analysis of Sonority Types in Selected Songs of Charles Ives.” M.M. thesis, Indiana University, 1970.
Notes:

Discusses certain sonorities, quartal and quintal chords, polychords, clusters, and hybrid sonorities. Thirty-eight songs analyzed. Appendix B lists 114 Songs in chronological order with authors of the texts.

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Cox, Paul Wathen

Year: 1970
Complete Citation:
Cox, Paul Wathen. “An analysis of sonority tapes in selected songs of Charles Ives.” M.M. Thesis, Indiana University, 1970.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crain, Timothy Mark

Year: 1995
Complete Citation:
Crain, Timothy Mark. “Rhythm and form in Ives's Scherzo (Over the pavements).” M.M. thesis, University of Alabama, 1995.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Croche, Florestan

Year: 1963
Complete Citation:
Croche, Florestan. “New Records Works by Charles Ives.” The Sun, July 28, 1963: FA4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Croche, Florestan. “New Records: Ives’s Compositions for Piano.” The Sun, February 23, 1969, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1972
Complete Citation:
Croche, Florestan. "New Records: Ives, Messiaen Together." The Sun, October 1, 1972, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Croche, Florestan. “New Records: Ives Re-Examined on 100th Birthday.” The Sun, February 17, 1974, D23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Croche, Florstan

Year: 1967
Complete Citation:
Croche, Florstan. “New Records Connecticut Yankee's ‘Sonata’.” The Sun, August 6, 1967, D10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crook, David W.

Year: 1980
Complete Citation:
Crook, David W. “Charles Ives and nineteenth century American household music.” B.A. thesis, Redlands, CA: University of Redlands, 1980.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Crory, Neil

Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crutchfield, Will

Year: 1984
Complete Citation:
Crutchfield, Will. “American Symphony And the Ives Fourth.” The New York Times. October 15, 1984, sec. C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Curtis, Daniel

Year: 2008
Complete Citation:
Curtis, Daniel. “A conductor's thesis in three parts.” B.A. thesis, Amherst College, 2008.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Curtis, William D.

Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Daniel, Oliver

Year: 1953
Complete Citation:
Daniel, Oliver. “New Recordings.” American Composers Alliance Bulletin 3, no. 1 (1953): 17.
Source: Bulletin
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Daniel, Oliver. “Ives Is A Four-Letter Word.” The Saturday Review 51, no. 21 (May 25, 1968): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Danler, K. R.

Year: 1985
Complete Citation:
Danler, K.R. “Zwei deutsche Erstaufführungen Eleazar de Carvalho dirigierte die MUSICA VIVA.” Das Orchester 33 (February 1985): 127.
Notes:

Discusses Symphony No. 4.

Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Darby, Joseph Eugene

Year: 1992
Complete Citation:
Darby, Joseph Eugene. “Charles Ives's second string quartet and the European tradition.” M.Mus. thesis, University of Illinois at Urbana-Champaign, 1992.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Darrell, R.D., comp.

Year: 1934
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Daugherty, Michael

Year: 1982
Complete Citation:
Daugherty, Michael. “Goethe and Emerson: the link between aesthetic theories and compositional processes of Gustav Mahler and Charles Ives.” M.M.A. Thesis, Yale University, 1982.
Source: M.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses