decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Schonberg, Harold C.

Year: 1965
Complete Citation:
Schonberg, Harold C. “Music: Stokowski Conducts Ives’s Fourth Symphony in World Premiere after 50 Years.” New York Times, April 27, 1965, 29.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Schonberg, Harold C. “Music: Ozawa and the Philadelphia: Young Leader Passes First Major Test Brahms, Prokofiev and Ives are Programed.” The New York Times, March 1, 1967, 48.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Evening of New Quotes the Old: Ives and Bartok Lead Parade of Moderns Young Brazilian does a Novelty on Tape.” The New York Times, April 2, 1969, 40.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Schonberg, Harold C. “Music: Minneapolis Opera Makes an Original Try: ‘Horspfal’ has Premiere -- about Indian’s Fall Composer’s Work Uses Charles Ives Devices.” The New York Times, February 17, 1969, 30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1971
Complete Citation:
Schonberg, Harold C. “Music: Masselos’s Ives: Pianist Plays ‘Concord’ Sonata at Town Hall.” The New York Times, October 6, 1971, 41.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1974
Complete Citation:
Harold C. Schonberg. “Music : Helps and Thorne: Their Works Played Along with Ives's the Program.” The New York Times, May 10, 1974, 25.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances
A. Reviews and Announcements of Premieres and Significant Performances

Schott, Howard

Year: 1989
Complete Citation:
Schott, Howard. “Ives, Schubert & Strauss at Symphony.” Jewish Advocate, 1989, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schuermann, H.G.

Year: 1986
Complete Citation:
Schuermann, H.G. “Musik zwischen Metaphysik und Experiment: dreitägiger Workshop Charles Ives in Bonn.” Musikhandel 37/4 (1986): 177-178.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schuld, Diana Boe

Year: 1971
Complete Citation:
Schuld, Diana Boe. “The influence of transcendentalism upon the Music of Charles Ives.” M.A. Thesis, Hofstra University, 1971.
Source: M.A. Thesis
B. Theses

Schuneman, Robert

Year: 1976
Complete Citation:
Schuneman, Robert. “Kim Kasling In Chicago-A Review.” The Diapason 67, no. 2 (January 1976): 9.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Schweitzer, Vivien

Year: 2013
Complete Citation:
Schweitzer, Vivien. “Chaos Assembled, Beauty Emerges: Arts and Leisure Desk.” The New York Times, April 14, 2013.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Scott Warfield

Year: 2004
Complete Citation:
Warfield, Scott. “Crowd Didn’t Fully Appreciate Unique Music; The National Symphony Orchestra Concert Was Like the Work of Charles Ives — Extraordinary Final Edition.” The Orlando Sentinel, February 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sebastian, John

Year: 1939
Complete Citation:
Sebastian, John. “Charles Ives at Last.” New Masses, February 7, 1939, 30.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sellars, James E.

Year: 1976
Complete Citation:
Sellars, James E. “Independence Declared Early, Ratified by Ives.” The Hartford Courant, July 18, 1976, 11F.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Senick, John Peter

Year: 1982
Complete Citation:
Senick, John Peter. “An analysis of selected songs of Charles Ives.” M.A. Thesis, Syracuse University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Serebrier, José

Year: 1984
Complete Citation:
Serebrier, José. “The Everest of Symphonies.” BMI 4 (1984): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Sharp, Mary Elizabeth

Year: 1979
Complete Citation:
Sharp, Mary Elizabeth. “A Survey of Musical Quotation from 1940-1975.” M.M. thesis, University of Louisville, 1979.
Notes:

References to Ives: in Part 1, “Introduction”: “The use of common material such as folk tunes, hymns, and patriotic songs will not be included since the music is not from the concert tradition. However, this creates a problem of inconsistency in some cases. Charles Ives quotes music from popular material together with concert pieces which have programmatic signifi-cance.”; in Part 5, “Early Twentieth-Century Practices in the Use of Quotation”: “The very same motive (Beethoven’s Symphony No. 5) is quoted by Ives in the Concord Sonata and is used as a cyclic device to depict fate and the character of Beethoven himself’; and in Parts 7-10, “Charles Ives' Use of Quotation.”

Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Shavin, Norman

Year: 1952
Complete Citation:
Shavin, Norman. “If Modern Music and Listeners Both Endure.” Louis-ville Times, February 5, 1952, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Shelton, Gregory Allard

Year: 1985
Complete Citation:
Shelton, Gregory Allard. An analysis of Charles Ives’s Three-page Sonata for Piano. M.A. Thesis, The American University, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses