Myers, Betty Dustin
Year: 1951
Complete Citation:
Myers, Betty Dustin. “The Orchestral Music of Charles Ives.” M.M. Thesis, University of Indiana, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Myers, Eric
Year: 2003
Complete Citation:
Myers, Eric. “The Crooked Mirror: New Temporalities in Ives, Mes-siean, and Feldman.” M.A. thesis, Mills College, 2003.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 2003
Complete Citation:
Myers, Eric. “The cracked mirror: new temporalities in Ives, Messiaen and Feldman.” M.A. thesis, Mills College, 2003.Source: M.A. Thesis
C. Baccalaureate Essays
B. Theses
Myers, Kurtz, comp.; Richard S. Hill, ed.
Year: 1956
Complete Citation:
Myers, Kurtz, comp. Record Ratings: The Music Library Association’s Index of Record Reviews, edited by Richard S. Hill, 154-155. New York, NY: Crown Publishing, 1956.Notes: Lists fourteen LPs
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Nehrenberg, Steven D.
Year: 1992
Complete Citation:
Nehrenberg, Steven D. “Three levels of quotation in the music of Charles Ives.” M.A. Thesis, University of Oregon, 1992.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Nelson, Catherine
Year: 2009
Complete Citation:
Nelson, Catherine. “CD Reviews: “Patriots” - Grieg: Violin Sonatas in G Major Op. 13 & in F Major Op. 8; Ives: Violin Sonatas No. 2 & 4.” The Strad, Vol. 120 (2009): 83, 85.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Nicholls, David
Year: 2000
Complete Citation:
Nicholls, David. “Ives Plays Ives: The Composer at the Piano in Four Recording Sessions, 1933-1943.” American Music 18, no. 3 (Fall 2000): 331-333.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Nicholls, David. “Review of “Ives Plays Ives” (sound recording).” America Music 18 (Fall 2000): 331-33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Nitz, Joel Frederick
Year: 1977
Complete Citation:
Nitz, Joel Frederick. “The use of hymn tunes in Charles Ives' second, third and fourth symphonies.” M.A. Thesis, Bob Jones University, 1977.Source: M.A. Thesis
B. Theses
Noble, David
Year: 1968
Complete Citation:
Noble, David. “Ives Work Introduced by Pianist Mandel.” The Boston Globe, March 27, 1968, 40.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Norris, Geoffrey
Year: 2014
Complete Citation:
Norris, Geoffrey. ““Gramophone” Collector: Seattle Symphony Orchestra.” Gramophone, Vol. 92 (2014): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
North, James H.
Year: 1998
Complete Citation:
North, James H. “Ives: “3 Places in New England,” Orchestral Set No. 2; Ruggles: “Sun-treader,” “Men and Mountains;” Crawford Seeger: Andante for Strings.” Fanfare: The Magazine for Serious Record Collectors, Vol. 21, No. 5 (1998): 146.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; Robert Browning Overture.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 3 (2001): 202-204.Source: Magazine (book review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
North, James H. “Ives: Symphonies: “No. 1”; “No. 2”; “No. 3”; “No. 4”; “3 Places in New England”; “Orchestral Set No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 6 (2001) 152.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
North, James H. “Ives: “Symphony No. 3. Washington's Birthday. The Unanswered Question. Central Park in the Dark. Country Band March. Overture and March ‘1776.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 1 (2003): 139-140.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
North, James H. “Ives: String Quartets: No. 1; No. 2; Scherzo, ‘Holding Your Own!’; Adagio sostenuto, ‘At Sea’; Largo risoluto: No. 1; No. 2; Adagio cantabile, ‘The Innate’; ‘Hallowe’en.’” Fanfare: The Magazine for Serious Record Collectors, Vol. 26, No. 4 (2003): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Ives: “The Celestial Country,” “Silence Unaccompanied.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 4 (2004): 179-180.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2004
Complete Citation:
North, James H. “Classical Recordings: Ives - “Emerson Concerto,” Symphony No. 1.” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 6 (2004): 120-121.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: Sonata No. 2, “Concord, Mass., 1840-60”; Barber: Piano Sonata in e-flat.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 131-132.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Universe Symphony”; Ives: “Universe Symphony”; Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 1 (2005): 204-206.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews