Image
Complete Citation:
Fine, Elaine. “Review of Ives, Trio (Sound Recording).” American Record Guide 63/6 (November-December 2000): 124.
Bibliography
Genres
Fine, Elaine
Year: 2000
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2015
Complete Citation:
Fine, Elaine. “Collections: “American Chamber Pieces.”” American Record Guide, Vol. 78, No. 1 (2015): 214.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Finn, Robert
Year: 1999
Complete Citation:
Finn, Robert. “Concerts Everywhere: Cleveland-Cleveland Orchestra: Ives “Emerson Concerto” [Premiere].” American Record Guide, Vol. 62, No. 1 (1999): 47-48.Source: Magazine (recording review/premiere)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fisher, Jeff
Year: 2016
Complete Citation:
Fisher, Jeff. “Bernard Herrmann: conducting the obscure with the CBS Symphony.” M.M. thesis, University of South Dakota, 2016.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Fisk, Josiah
Year: 1991
Complete Citation:
Fisk, Josiah. Recordings in Review -- Charles Ives' Calcium Night Light, Country Band March, Largo Cantabile, Hymn, Postlude in F and Set of Four Ragtime Dances performed by the Orchestra New England under James Sinclair. Musical America, Vol. 111, No. 2 (1991): 77.Source: Journal (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Flanagan, William
Year: 1966
Complete Citation:
Flanagan, William. “Charles Ives ‘Robert Browning Overture.’” HiFi/Stereo Review 16, no. 5, May 1966, p. 69-70.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fox, Gerald S.
Year: 2002
Complete Citation:
Fox, Gerald S. “An American Salute.” American Record Guide, Vol. 65, No. 6 (2002): 202.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Frankenstein, Alfred
Year: 1960
Complete Citation:
Frankenstein. Alfred. “From Bernstein and the Philharmonic- Ives’s Second Symphony Grandly Conceived.” High Fidelity 10, no. 7 (November 1960): 75-76.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1965
Complete Citation:
Frankenstein. Alfred. “Ives’s Fourth Symphony-An ‘Unplayable’ Work Gets Played.” High Fidelity/Musical America 15. no. 11 (November 1965): 83-84.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1967
Complete Citation:
Frankenstein, Alfred. “Ives: Music for Chorus.” High Fidelity/Musical America 17/1, January 1967.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1968
Complete Citation:
Frankenstein, Alfred. “The Complete Piano Works—Old Friends and Fresh Discoveries.” High Fidelity/Musical America 18/6 (June 1968): 81. Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 1970
Complete Citation:
Frankenstein, Alfred. “New Ivesian Discoveries.” High Fidelity/Musical America 20/3, March 1970, 92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Frayne, Rob
Year: 1992
Complete Citation:
Frayne, Rob. “An analysis of partitions and strata in Charles Ives’s Three places in New England.” M. Mus. thesis, University of Ottawa, 1992.VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Freed, Gwendolyn
Year: 2003
Complete Citation:
Freed, Gwendolyn. “CD REVIEW; St. Olaf Choir Sparkles on all-Ives Disc: METRO Edition.” Star Tribune, February 2, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Freed, Richard
Year: 1982
Complete Citation:
Freed, Richard. “A Superb New Set of Charles Ives's Violin/Piano Sonatas from Authoritative Performers of His Music.” Stereo Review 47/11, November 1982, 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
French, Gil
Year: 2009
Complete Citation:
French, Gil. “Collections: “Lincoln Portraits.”” American Record Guide, Vol. 72, No. 4, (2009): 204-205.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Year: 2009
Complete Citation:
French, Gil. “Chamber Music on the Rise: Canandaigua Lake Music Festival.” American Record Guide, Vol. 72, No. 6, (2009): 34-35.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
French, Gilbert G.
Year: 2002
Complete Citation:
French, Gilbert G. “Ives: “From the Steeples and the Mountains”; “The Things Our Fathers Loved”; “The Pond”; [and others].” American Record Guide, Vol. 65, No. 3, (2002): 125-126.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
B. Recording Reviews
Fruchterman, Alessandra Astete
Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Frye, Daniel W.
Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses