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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Fuchsberg, Larry

Year: 2004
Complete Citation:
Fuchsberg, Larry. “CD Review; Ives Pieces have their Ups, Downs.” Star Tribune (Minneapolis, MN), June 27, 2004, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Fuhrmann, Peter

Year: 1977
Complete Citation:
Fuhrmann, Peter. “Ist seine Zeit gekommen? Charles Ives: Sinfonien Nr. 1-4.” Opernwelt 18/6 (1977): 48.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gammill, Ellen Reed

Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gann, Kyle

Year: 2000
Complete Citation:
Gann, Kyle. “That Grumpy Old Pianist Is Ives.” New York Times, Febru-ary 20 2000, sec. B, 34.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Gann, Kyle. “Not Gift Wrapped: New Frederic Rzewski Discs Reveal a Thinking Person's Postmodern Music.” The Village Voice, Vol. 48, No. 6 (2003): 101.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gardner, Kara Anne

Year: 1999
Complete Citation:
Gardner, Kara Anne. “Living the Ladies’ Smiles: The Feminization of American Music and the Modern Reaction (Amy Beach, Edward MacDowell, Charles Ives).” Ph.D. diss., Stanford University, 1999.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Garvelmann, Donald

Year: 1977
Complete Citation:
Garvelmann, Donald. “Immersed in Ives.” The American Record Guide 40, no. 9 (August 1977): 16-19.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gatens, William J.

Year: 2006
Complete Citation:
Gatens, William J. “Collections: “In the Old World and the New.”” American Record Guide, Vol. 69, No. 3 (2006): 195.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Gaudet, Michael Ronald

Year: 1986
Complete Citation:
Gaudet, Michael Ronald. “A study of selected essays and songs of Charles Ives as expressions of progressive idealism.” M.A. thesis, University of Victoria, 1985.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gerschefski, Peter E.

Year: 1959
Complete Citation:
Gerschefski, Peter E. “A critical analysis of the works of Charles Ives.” M.A. Thesis, University of Southern California, 1959.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gillespie, Matthew D.

Year: 2004
Complete Citation:
Gillespie, Matthew D. “Charles Ives: an examination of three songs with some thoughts on multiple perspectives in his works.” M.M. Thesis, East Carolina University, 2004.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gilmore, Bob

Year: 2010
Complete Citation:
Gilmore, Bob. “Criticism: Recorded - Heather O’Donnell: “Responses to Ives.”” JMI: The Journal of Music in Ireland, Vol. 1, No. 6 (2010): 60.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ginell, Richard S.

Year: 2013
Complete Citation:
Ginell, Richard S. “Ojai Festival and Mark Morris: Tour de Force, of Course.” American Record Guide, Vol. 76, No. 5 (2013): 19-21.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Glass, Herbert

Year: 1987
Complete Citation:
Glass, Herbert. “On the Record: Mainstream Americana.” Los Angeles Times, January 18, 1987, 60.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1989
Complete Citation:
Glass, Herbert. “On the Record: More Early Americana on CDs.” Los Ange-les Times, October 8, 1989: 62.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1991
Complete Citation:
Glass, Herbert. “Ives—Will He Have Staying Power This Time?” Los Ange-les Times, April 14, 1991, sec. CAL, 49.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “Ives: Mt. Rushmore of American Music.” Los Angeles Times. February 7, 1993: 52.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1993
Complete Citation:
Glass, Herbert. “On the Record: An American Triple Play.” Los Angeles Times, May 16, 1993, 51.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2002
Complete Citation:
Glass, Herbert. “Thomas Hampson: Defining Ives.” Gramophone, Vol. 79 (2002): A3.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Glasson, Brendan

Year: 2018
Complete Citation:
Glasson, Brendan. “An Equilibrium of Moments: Change and Stillness in Multimedia Artworks.” M.F.A. thesis, Mills College, 2018.
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses