Higgins, Raymond Harris
Year: 1975
Complete Citation:
Higgins, Raymond Harris. “A conductor's analysis of selected works by Dave Brubeck, Lukas Foss, Alan Hovhaness, Charles Ives and Daniel Pinkham.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1975.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hodges, David W.
Year: 1967
Complete Citation:
Hodges, David W. “An analytical study of the songs of Charles Ives.” M.A. Thesis, Central Missouri State College, 1967.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hoeschler, Linda
Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.Notes: Review of The Ives Liturgy: A Mass of the Common Man (1970)
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes: Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Hutchinson, Mary Ann
Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” M.M. thesis, Florida State University, Tallahassee, 1970.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Year: 1970
Complete Citation:
Hutchinson, Mary Ann. “Unrelated Simultaneity as an Historical Index to the Music of Charles Ives.” Master’s diss., Florida State University, 1970.Source: Master’s Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Jacobson, Robert
Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.
Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.
Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Jarrett, Alfred Roosevelt
Year: 1967
Complete Citation:
Jarrett, Alfred Roosevelt. “‘New Music’ in the U.S.A., 1960--1966.” M.M. thesis, Howard University, 1967.Notes: Ives is one of twelve com-posers discussed.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Jensen, Diane M.
Year: 1980
Complete Citation:
Jensen, Diane M. “A study of ragtime elements found in selected works of Charles E. Ives.” M.M. thesis, University of Nebraska-Lincoln, 1980.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Johnson, Judith M.
Year: 2010
Complete Citation:
“Songs my mothers taught me: the sentimental ballads of Charles Ives.” M.A. Thesis, University of Washington, 2010.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Jones, Chris
Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Jones, Marged
Year: 1980
Complete Citation:
Jones, Marged. “Compositional techniques with suggested rehearsal strategies for selected choral works of Charles Ives.” M.M. thesis, Kent State University, 1980.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Jones, Sean P.
Year: 1995
Complete Citation:
Jones, Sean P. “The Life of Walter Brenner and a View of His Music via the Quartet for Flute, Oboe, Clarinet, and Bassoon (1964).” M.M. thesis, University of Missouri-Kansas City, 1995.Notes: Offers reasons how the study of Brenner's life “can help illuminate the lives of such American composers as Aaron Copland and Charles Ives.”
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Karlovits, Bob
Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Kerwin, Bud, choreographer
Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kesson, Jane Haines
Year: 1950
Complete Citation:
Kesson, Jane Haines. “Four contemporary American composers.” M.A. thesis, University of Pennsylvania, 1950.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Kilian, Paul Henry
Year: 1975
Complete Citation:
Kilian, Paul Henry. “An historical & analytical study of Three Places in New England by Charles Ives.” M.A. thesis, California State University, Los Angeles, 1975.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Kisselgoff, Anna
Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.Notes: In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews