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Bibliography

Myers, Eric

Year: 2003
Complete Citation:
Myers, Eric. “The cracked mirror: new temporalities in Ives, Messiaen and Feldman.” M.A. thesis, Mills College, 2003.
Source: M.A. Thesis
C. Baccalaureate Essays
B. Theses

Nehrenberg, Steven D.

Year: 1992
Complete Citation:
Nehrenberg, Steven D. “Three levels of quotation in the music of Charles Ives.” M.A. Thesis, University of Oregon, 1992.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Nitz, Joel Frederick

Year: 1977
Complete Citation:
Nitz, Joel Frederick. “The use of hymn tunes in Charles Ives' second, third and fourth symphonies.” M.A. Thesis, Bob Jones University, 1977.
Source: M.A. Thesis
B. Theses

O’Keefe, Andrew Michael

Year: 2012
Complete Citation:
O’Keefe, Andrew Michael. “Teaching repertoire through awareness of compositional techniques.” M.M. thesis, Belmont University, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Ogden, Gail

Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Owren, Betty Ann F.

Year: 1974
Complete Citation:
Owren, Betty Ann F. “A study and analysis of selected songs by Charles Ives.” M.A. Thesis, San Jose State University, 1974.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Palmer, Lyelle Lee

Year: 1963
Complete Citation:
Palmer, Lyelle Lee. “Some techniques of composition, employed by Charles Edward Ives in 114 songs.” M.M. thesis, Southern Methodist University, 1963.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Palonis, Cheryl

Year: 1976
Complete Citation:
Palonis, Cheryl. “"Gatherings": a choreographic tribute to Charles Ives.” M.F.A. Thesis, Department of Ballet and Modern Dance, University of Utah, 1976.
Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Parks, Marty

Year: 1983
Complete Citation:
Parks, Marty. “Composition in isolation: an historical survey of the religious choral works of Charles Ives.” M.M. Thesis, Southwestern Baptist Theological Seminary, 1983.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Patkin, Nehama

Year: 1976
Complete Citation:
Patkin, Nehama. “New approaches to piano sonorities in works of Charles Ives, Henry Cowell and Edgar Varèse.” M.M. thesis, University of Melbourne, 1976.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Perry, Rosalie Sandra

Year: 1969
Complete Citation:
Perry, Rosalie Sandra. “Charles Ives as a progressive.” M.A. Thesis, University of Texas at Austin, 1969.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Pinotti, Cintia Maria Annichino

Year: 2002
Complete Citation:
Pinotti, Cintia Maria Annichino. “O Salmo 150 de Ernest Mahle: questões composicionais e interpretativas.” Master’s thesis, Universidade de São Paulo, 2002.
Source: Master’s Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Quackenbush, Margaret Diane

Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rarig, Howard Raymond

Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Raynes, Bethany

Year: 2012
Complete Citation:
Raynes, Bethany. “Examination of musical works by Bach, Fauré, Ives, Sarasate, and Mendelssohn: research in conjunctioin with a graduate violin recital.” M.M. thesis, University of Texas at San Antonio, 2012.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Rayson, John Baird

Year: 1982
Complete Citation:
Rayson, John Baird. “The problem of style in the songs of Charles Ives.” M.A. Thesis, University College, Cardiff, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Regner, Otto Friedrich

Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre