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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Webre, Jude

Year: 2007
Complete Citation:
Webre, Jude. “Can He Let His Children Starve for His Dissonances? The Double Life of Charles Ives.” B.A. thesis, Columbia University, 2007.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Wehrl, Paul

Year: 1990
Complete Citation:
Wehrl, Paul. Charles Ives: “The unanswered question” als Werkbeispiel für den Musikunterricht an bayerischen Realschulen unter Berücksichtigung fachwissenschaftlicher und didaktischer Aspekte. Term paper, Eichstätt, Universität, 1990.
Source: Term paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Whallon, Evan

Year: 1953, 1954
Complete Citation:
Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Whitney, Annette

Year: 1966
Complete Citation:
Whitney, Annette. “Contemporary American art song: John Alden Carpenter, Charles Edward Ives, Aaron Copland and Ned Rorem.” B.M. thesis, University of Utah, 1966.
Source: B.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Wilson, Donald Malcolm

Year: 1962
Complete Citation:
Wilson, Donald Malcolm. “Tone Roads No. 1: An Analysis.” Term paper, Cornell University, 1962.
Notes:

Copy in Charles Ives Papers at Yale University.

Source: Term Paper
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Zechel, Charles

Year: 1981
Complete Citation:
Zechel, Charles. “Not for sissy ears: stream-of-consciousness in the music of Charles Ives.” B.A. Thesis, Reed College, 1981.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

no author listed

Year: 1951
Complete Citation:
“Scores: Symphony No. 2 by Charles Ives.” Musical Courier 143, no. 9 (May 1, 1951): 29.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1977
Complete Citation:
“Editor’s Experiences (Discussion with John Kirkpatrick, Alan Mandel, James Sinclair, William Brooks, Lou Harrison, H. Wiley Hitchcock).” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 67-85.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1994
Complete Citation:
“Charles Ives; Seek and Ye Shall Find: Letter.” The New York Times, June 12, 1994.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2016
Complete Citation:
“Charles E Ives, Complete Organ Music.” The Diapason, Vol. 107, No. 6 (2016): 15.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices