Williams, Claire Vaquero
Year: 2009
Complete Citation:
Williams, Claire Vaquero. Discos: Británicos e irlandeses. Scherzo: Revista de Música, Vol. 24 (2009): 69.XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Williams, Rory
Year: 2011
Complete Citation:
Williams, Rory. “Hilary Hahn Dives into Ives on Latest CD.” Strings, Vol. 26, No. 4 (2011): 13.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wilson, Peter Niklas
Year: 2001
Complete Citation:
Wilson, Peter Niklas. “Sound Comes into Its Own.” Neue Zeitschrift fur Musik 2001/5 (September-October 2001): 12-17.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wohlfahrt, H.T.
Year: 1996
Complete Citation:
Wohlfahrt, H. T. “Unbeantwortete Frage und viele Auskünfte,” review of The Unanswered Question Festival; January 19 to 21: London. Neue Musikzeitschrift 45 (April/May): 51.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Wolffers, Jules
Year: 1958
Complete Citation:
Wolffers, Jules. “New England Composer seen as Trail Blazer: Recordings.” The Christian Science Monitor, February 20, 1958, 5.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wollny, Ute
Year: 1983
Complete Citation:
Wollny, Ute. “Orchester werke und Kammermusik von Charles Edward Ives bei Radio DDR II.” Musik und Gesellschaft 33 (March 1983): 180-181.Notes: Series included twenty-five works; Eberhardt Klemm, commentator.
Source: Journal
B. Recording Reviews
Wright, Lisa
Year: 1974
Complete Citation:
Wright, Lisa. “Ives Centennial Draws 7,000 Fans.” The Hartford Courant, July 6, 1974, 28.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
E. Centenary
Wright, Stephen
Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Wulfert, Eric J.
Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.Notes: Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Charles Ives Festival-Conference.” The Musical Quarterly, Vol. LXI, Issue 2: 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1975
Complete Citation:
Yellin, Victor Fell. “Current Chronicle: Charles Ives Festival-Conference.” Musical Quarterly 61/2 (1975): 295-299.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
no author listed
Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
First Festival of Contemporary American Music. Trask Mansion, Yaddo Estate, Saratoga Springs, NY, May 1, 1932.Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1946
Complete Citation:
Second Annual Festival of Contemporary American Music. McMillan Theatre, Columbia University, New York, NY,
May 11, 1946.Notes: Third Program was devoted to Ives's works; The Unanswered Question and Central Park in the Dark were given their premieres.
Source: Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Year: 1948
Complete Citation:
“Milestone in American Music is Recording of Ives’ Sonata.” The Austin American, 1948, 7B.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews