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Bibliography

Riedel, Johannes

Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, ed.

Year: 1970
Complete Citation:
Riedel, Johannes, ed. Ives at Minnesota. Minne-apolis, MN: Festival at the University of Minnesota, April-May, 1970.
Source: Program Book for Festival
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rockwell, John

Year: 1979
Complete Citation:
Rockwell, John. “Underground Music Surfaces for a Nine- Day Festival.” The New York Times, June 3, 1979.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Rockwell, John. “Best of Ives, Wall to Wall.” The New York Times, March 16, 1984, sec. 3, 1.
Notes:

Announcement of twelve-hour marathon of performances.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ross, Alex

Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Year: 1994
Complete Citation:
Ross, Alex. “The Eccentrics Who Declared Independence for America.” The New York Times. May 22, 1994, sec. H, 33.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times. November 15, 1994, sec. C: 20.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Review: Alex Ross. “Pandemonium.” New Yorker 80/15 (June 7): 97--99.
Notes:

Review of “Charles Ives: An American Original in Context” Festival. Includes an illustration by Istvan Banyai.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2012
Complete Citation:
Ross, Alex. “Joyful Noise.” The New Yorker, Vol. 88, No. 9 (2012): 104-106.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rossiter, Frank R.

Year: 1977
Complete Citation:
Rossiter, Frank R. “Charles Ives: Good American and Isolated Artist.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 16-28. Urbana: University of Illinois Press, 1977.
Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rostand, Claude

Year: 1970
Complete Citation:
Rostand, Claude. Autour de Charles Ives, 1874-1954: exposition du vendredi 24 avril au samedi 16 mai 1970: Centre culturel américain, 3, rue du Dragon, Paris 6. Paris, France: Centre Culturel Américain, 1970.
Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences

Rothstein, Edward

Year: 1984
Complete Citation:
Rothstein, Edward “Nearly 12 Hours of Tribute to Ives.” The New York Times. March 19, 1984, sec. C, 12.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sachs, Joel

Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.
Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold

Year: 1974
Complete Citation:
Schonberg, Harold. “The Pulse of America Beats in the Music of Ives.” The New York Times. October 6, 1974.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold C.

Year: 1974
Complete Citation:
Schonberg, Harold C. “Innovation—So What Else is New?” The New York Times. October 20, 1974, sec. D, 21.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series