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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hitchcock, H. Wiley

Year: 1997
Complete Citation:
Hitchcock, H. Wiley. “Editing Ives's 129 Songs.” In Ives Studies, 51-76. Lambert, Philip, ed. Ives Studies. Cambridge, UK: Cambridge University Press, 1997. 
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Hitchcock, H. Wiley and Vivian Perlis

Year: 1977
Complete Citation:
Hitchcock, H. Wiley and Vivian Perlis. “Editors’ Experiences.” In An Ives Celebration: Papers and Panels of the Charles Ives, edited by H. Wiley Hitchcock and Vivian Perlis. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Holloway, Robin

Year: 1996
Complete Citation:
Holloway, Robin. “Use Your Ears Like a Man.” Spec-tator 276/8740 (January 20, 1996): 42.
Notes:

Ives is unambigu-ously among the great composers.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hughes, Allen

Year: 1974
Complete Citation:
Hughes, Allen. “Ives Symphony no. 4 is Eloquent End to Philharmonic Festival.” The New York Times, October 14, 1974, 43.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1974
Complete Citation:
Hughes, Allen. “Ives and Schubert Mini-Festivals Set: Boulez Offers Views Schoenberg ‘Rug’ Concert.” The New York Times, March 6, 1974, 25.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hughes, Edward Dudley

Year: 1996
Complete Citation:
Edward Dudley Hughes. “Dangerous to Know,” review of The Unanswered Question Festival; January 19 to 21: London. Musical Times 137/1838 (April 1996): 28-29.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hume, P.

Year: 1953
Complete Citation:
Hume, P. “Music Festival Introduces Unperformed Ives Symphony.” The Washington Post. April 28, 1953, 33.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Hume, Paul

Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Hume, Paul. “Reviewed Work: Ten Songs for Voice and Piano by Charles Ives.” Notes, vol. 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Johnson, Lockrem

Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kandell, Leslie

Year: 2004
Complete Citation:
Kandell, Leslie. Review of “Charles Ives: An American Original in Context.” American Record Guide 67/5 (September--October 2004): 11--13.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Kandell, Leslie. “All About Ives, The Juilliard School's Focus on Charles Ives.” American Record Guide 67/4 (July--August 2004): 16--17.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Kerner, Leighton

Year: 1988
Complete Citation:
Kerner, Leighton. “Ives in the Balance (American Music Festival).” Village Voice, June 7, 1988, sec. 33, 82.
Notes:

Discusses the composition Johnny Poe.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.
Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John.

Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices