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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Perlis, Vivian

Year: 1996
Complete Citation:
Vivian Perlis. “Ives Spirit Muses Brits,” review of The Unanswered Question Festival; January 19 to 21: London. Piano and Key-board (May/June) 180: 12-14.
Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Permoser, Manfred

Year: 2005
Complete Citation:
Permoser, Manfred. “Echo: “Kontraste”: Minoritenkirche Krems / Stein.” Österreichische Musikzeitschrift, Vol. 60, No. 12 (2005): 47-48.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Pershchetti, Vincent

Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Persichetti, Vincent

Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Phillips, Burrill

Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Porter, David H.

Year: 2004
Complete Citation:
David H. Porter. “Don't Pin Him Down.” The New York Times 2, May 23, 2004, 2.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.
Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Reeve, Lew

Year: 1970
Complete Citation:
Reeve, Lew. “Charles Ives’ Music Done Well in Con-cert.” Minneapolis Star. April 8.
Notes:

Ives’s “transcendental philosophy, love of Emerson, and ability with pungent ex-pression comes through.” States erroneously that Ives died in 1969 to the age of 80.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Reinthaler, Joan

Year: 1973
Complete Citation:
Reinthaler, Joan. “Festival.” The Washington Post and Times Herald, April 16, 1973, B9.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Reyes, James E.

Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ring, Gordon

Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Rockwell, John

Year: 1979
Complete Citation:
Rockwell, John. “Underground Music Surfaces for a Nine- Day Festival.” The New York Times, June 3, 1979.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1984
Complete Citation:
Rockwell, John. “Best of Ives, Wall to Wall.” The New York Times, March 16, 1984, sec. 3, 1.
Notes:

Announcement of twelve-hour marathon of performances.

Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Rosenfeld, Paul

Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.
Notes:

Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ross, Alex

Year: 1994
Complete Citation:
Ross, Alex. “How Ever Did You Do It, Mr. Ives?” The New York Times. November 15, 1994, sec. C: 20.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1996
Complete Citation:
Ross, Alex. “Vindicating Ives on Dates and Music,” review of Charles Ives and His World Festival. The New York Times (August 20, 1996) sec. C, 13, 14.
Notes:

In a review of programs, Ross comments on verification of dates on Ives’s compositions, especially by using Gayle Sherwood's methods.

Source: Newspaper
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 2004
Complete Citation:
Review: Alex Ross. “Pandemonium.” New Yorker 80/15 (June 7): 97--99.
Notes:

Review of “Charles Ives: An American Original in Context” Festival. Includes an illustration by Istvan Banyai.

Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series