Image
decorative banner image

Bibliography

Salzman, Eric

Year: 1960
Complete Citation:
Salzman, Eric. “Records: Ives. His Symphony No. 2 Is Really Sophisti-cated.” New York Times. September 1960, sec. 2, 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once: Historical Panorama Something Borrowed Broad Conception Time Advantage More Musical.” The New York Times, May 27, 1962, X18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1962
Complete Citation:
Salzman, Eric. “Two ‘Concords’ at Once.” The New York Times. May 27, 1962, sec. 2, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
Salzman, Eric. “New Stereo Discs for a Further Look at Ivesian Questions and Answers.” High Fidelity 16, no. 4 (June 1966): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Salzman, Eric. “Charles Ives: Music Big as Life.” HiFi/Stereo Review 19/2, August 1967, 65-67.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1968
Complete Citation:
Salzman, Eric. “The Piano Music of Charles Ives.” HiFi/Stereo Review 21, no. 2 (August 1968): 72-73.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Salzman, Eric. “Charles Ives: A Centennial Keepsake Album from Columbia.” Stereo Review 33/3, September 1974, 122-123.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Samuel, Claude

Year: 2001
Complete Citation:
Samuel, Claude. “Charles Ives: “Three-Page Sonata. The Anti-Abolitionist Riots. Study no. 20. Varied Air and Variations. Scene Episode. Piano Sonata no. 2.”” Diapason: le magazine du disque et de la musique vivante (2001): 92.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Samuel, Claude. “22 Février 1951: Création de la Symphonie no2 de Ives.” Diapason: le magazine du disque et de la musique vivante (2010): 66.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sandow, Greg

Year: 2000
Complete Citation:
Sandow, Greg. “Twenty-One Sides of Fischer-Dieskau.” Opera News, Vol. 65, No. 5 (2000): 56-57.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Sawer, David

Year: 1999
Complete Citation:
Sawer, David. “20th Century Masterworks: Charles Ives, “The Unanswered Question.”” BBC Music Magazine, Vol. 7, No. 9 (1999): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Scherer, Barrymore Laurence

Year: 1996
Complete Citation:
Scherer, Barrymore Laurence. “Charles Ives: In Con-cert and Context,” review of Between the Bandstand and the Concert Hall: Ives and His Sources, Charles Ives and His World Festival. Wall Street Journal (1996 August 15) A, 8.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schiff, David

Year: 1996
Complete Citation:
David Schiff. "The Many Faces of Ives." Atlantic Month-ly (1997 January) 279/1: 84-87. General article with comments on the Bard Festival.
Source: Magazine
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold

Year: 1956
Complete Citation:
Schonberg, Harold. “Records: Ives: The Four Violin Sonatas Played by Druian Makes it Sing Conducts Janacek.” The New York Times, July 15, 1956, 72.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Schonberg, Harold. “The Pulse of America Beats in the Music of Ives.” The New York Times. October 6, 1974.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schonberg, Harold C.

Year: 1954
Complete Citation:
Schonberg, Harold C. “Records American: Ives’ Second Symphony is Strong Native Work.” The New York Times, June 27, 1954, X8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1956
Complete Citation:
Schonberg, Harold C. “Records: Ives. The Four Violin Sonatas Played by Drurian.” The New York Times, July 15, 1956, sec. 2, 8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Schonberg, Harold C. “Innovation—So What Else is New?” The New York Times. October 20, 1974, sec. D, 21.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schulz, Reinhard

Year: 2001
Complete Citation:
Schulz, Reinhard. Kulturpartisanen im Land von Freedom and Democracy: Osterfestival in Innsbruck mit dem Motto “Das bessere Amerika.” Neue Musikzeitung, Vol. 50, No. 5 (2001): 39.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Schwarz, K. Robert

Year: 1991
Complete Citation:
Schwarz, K. Robert. “Recitals & Collections -- George Crumb’s Black Angels, Charles Ives’ They Are There!, Shostakovich’s Quartet No. 8 in C minor and Tallis’ Spem in Alium performed by the Kronos Quartet.” Musical America, Vol. 111, No. 2 (1991): 92.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews