Arlen, Walter
Year: 1965
Complete Citation:
Arlen, Walter. “Ives Symphony Immortalized.” Los Angeles Times, November 7, 1965: B19.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1966
Complete Citation:
Arlen, Walter. “New Discs show Ives Interest on Upswing.” Los Angeles Times, June 19, 1966: B25.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Ashley, Tim
Year: 1999
Complete Citation:
Ashley, Tim. “Miscellany: Reviews: Prom: All Nature in Sound Ives Premiere/ Philharmonia Royal Albert Hall (Recommended).” The Guardian, August 19, 1999.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Auerbach, Brent
Year: 2009
Complete Citation:
Auerbach, Brent. “Guide to Records - Ives: Piano Sonata 1; McDonald: “Meditation Before a Sonata: Dew Cloth, Dream Drapery”; Nielsen: Suite, Op 45.” American Record Guide, Vol. 72, No. 6 (2009): 124-125.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2010
Complete Citation:
Auerbach, Brent. “Responses to Ives.” American Record Guide, Vol. 73, No. 4 (2010): 228-229.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Austin, Larry
Year: 1976
Complete Citation:
Austin, Larry. “Reconstruction of Ives’ Universe Symphony.” In Desert Plants: Conversations with 23 American Musicians, interviewed by Walter Zimmermann, 207-220. Vancouver, BC: A.R.C. Publications, 1976.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1985
Complete Citation:
Austin, Larry. “Charles Ives’s Life Pulse Prelude for Percussion Orchestra: A Realization for Modem Performance from Sketches for His Universe Symphony.” Percussionist 23, no. 6 (1985): 58-84.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bach, Eleanor and Robert Offergeld
Year: 1969
Complete Citation:
Bach, Eleanor and Robert Offergeld. “An Experiment in Astromusi-cology.” Stereo Review 23/1 (July 1969): 73--74.Notes: Using astrological tech-niques, the authors describe personal characteristics of several musicians, including Ives.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bailey, James Montgomery
Year: 1890
Complete Citation:
Bailey, James Montgomery. “Last Evening’s Concert: The Greatest Artistic Success of the Season.” Danbury Evening News, June 12, 1890: 4.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bales, Richard
Year: 1948
Complete Citation:
Bales, Richard. “Charles Ives: Third Symphony. [Review of Symphony No. 3 by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bales, Richard and Charles Seeger
Year: 1950
Complete Citation:
Bales, Richard and Charles Seeger. “Tone Roads No. 1 for Chamber Orchestra (performable also as chamber music).” New York: Peer International Corp., 1949. Notes 7/3 (June 1950): 432-433.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Bambarger, Bradley
Year: 1999
Complete Citation:
Bambarger, Bradley. "Classical Music: Jazzical Gas." Billboard 111/36 (September 4, 1999): 46.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2000
Complete Citation:
Bambarger, Bradley. “Classical: Keeping Score.” Billboard: The International Newsweekly of Music, Video and Home Entertainment, Vol. 112, No. 26 (2000): 74.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Barela, Margaret M.
Year: 2003
Complete Citation:
Barela, Margaret M. “Copland: Piano Sonata; Ives: Piano Sonata 1.” American Record Guide, Vol. 66, No. 1 (2003): 120-121.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. Guide to Records: Ives - Unknown Piano Pieces. American Record Guide, Vol. 68, No. 1 (2005): 123-124.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Barela, Margaret M. “Guide to Record: Ives - “Concord Sonata”; with Barber - “Sonata.” American Record Guide, Vol. 68, No. 1 (2005): 124-125.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Barnes, C.
Year: 1967
Complete Citation:
Barnes, C. “Charles Ives’ Salute to the Fourth of July: Violently Original.” The Christian Science Monitor, 1967, 10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Barns, Greg
Year: 2003
Complete Citation:
Barns, Greg. “SOUNDS: 1 Edition.” Mercury, August 30, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Baron, Carol K.
Year: 1992
Complete Citation:
Baron, Carol K. “Review of Symphony No. 3 (The Camp Meeting) by Charles Ives.” Notes 48/4 (June 1992): 1436-1438.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Barry, Malcolm
Year: 1979
Complete Citation:
Barry, Malcolm. “Modern.” Concert Reviews. Music and Musicians 27, no. 12 (August 1979): 47.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances