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Bibliography

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.
Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.
Source: Essay in Score
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John.

Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Klein, Howard

Year: 1966
Complete Citation:
Klein, Howard. “Symphony no. 4 by Ives Recording is Extraordinary.” The Atlanta Constitution, January 1, 1966, 2G.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kohs, Ellis B.

Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kolodin, Irving

Year: 1965
Complete Citation:
Kolodin, Irving. “Music to My Ears.” The Saturday Review 48, no. 20 (May 15, 1965): 32.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Konold, Wulf

Year: 1972
Complete Citation:
Konold, Wulf. “Charles Ives—eine Nachlese.” Musica 26/4 (July-August 1972): 410-411.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1972
Complete Citation:
Konold, Wulf. “Schallplatten: Werke von Charles Ives.” Musica 26/3 (May-June 1972): 296-301.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Koob, Lindsay

Year: 2004
Complete Citation:
Koob, Lindsay. “Guide to Records: Ives - “The Celestial Country; Silence Unaccompanied.” American Record Guide, Vol. 67, No. 2 (2004): 139-140.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kozinn, Allan

Year: 1999
Complete Citation:
Kozinn, Allan. “American Music’s Coming of Age.” New York Times, October 10, 1999, sec. 2, 29.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kreigsman, Alan M.

Year: 1968
Complete Citation:
Kreigsman, Alan M. “Record Player: A.U.’s Mandel Adds to Ivesiana.” The Washington Post and Times Herald, April 14, 1968, E8.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kruger, Steven

Year: 2015
Complete Citation:
Kruger, Steven. Review of IVES: Symphonies Nos. 1 and 2. Fanfare: The Magazine for Serious Record Collectors, Vol. 38, No. 6 (2015): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews