North, James H.
Year: 2007
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphonies: No. 1; No. 4; “Central Park in the Dark”; Ives - Symphonies: No. 2, No. 3, “The Camp Meeting”; “General William Booth Enters into Heaven.”” Fanfare 30, no. 4, (March 2007): 145-147.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Northcutt, Bayan
Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. Review of “Charles Ives: Variations on ‘America’ (1891); ‘Adeste Fideles’ in an Organ Prelude (1897).” Notes 7, no. 3 (June 1950): 446.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O’Neal, Barry
Year: 1980
Complete Citation:
O’Neal, Barry. American art songs: a collection of 20th century songs by American composers from Charles Ives to Elliott Carter: for medium voice & piano. New York, NY: Associated Music Publishers, 1980.Source: Book
X. Editing Practices and Articles Regarding Published Editions
C. Anthology Selections
O’Regan, Tarik
Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O'Reilly, Warren
Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Oliver, Michael
Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
P., J.
Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Page, Tim
Year: 1997
Complete Citation:
Page, Tim. Difficult Contemporary Works. Fi: The Magazine of Music & Sound, Vol. 2, No. 2, (1997): 104-105, 107-109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Panting, Tim
Year: 2001
Complete Citation:
Panting, Tim. “Exiled.” Classical Guitar, Vol. 19, No. 12 (2001): 44.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Payne, Anthony
Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Pellegrino, Joe
Year: 1996
Complete Citation:
Pellegrino, Joe. “Choral Recitative Reviews: “Shall We Gather at the River?” arr. Robert H. McIver.” Pastoral Music, Vol. 20, No. 4 (1996): 43.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Perlis, Vivian
Complete Citation:
Perlis, Vivian. “‘Monumenta Americana’ Revisited.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, 439-448. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. Ann Arbor: Univer-sity of Michigan Press, 1990.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Pérez Adrián, Enrique
Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Pershchetti, Vincent
Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Phillips, Burrill
Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Pincus, Andrew
Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Poole, Elissa
Year: 2005
Complete Citation:
Poole, Elissa. “New Releases Classical.(A Song -- for Anything: Songs by Charles Ives).” Globe & Mail, October 7, 2005, R34.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
