Kisselgoff, Anna
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.Notes: In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Notes: Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Kohs, Ellis B.
Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Kubik, Gail T.
Year: 1936
Complete Citation:
Kubik, Gail T. “Review of New Music Editions.” Musical Leader. March 28, 1936.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
L., Barbara
Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Lambert, J. Philip
Year: 1985
Complete Citation:
Lambert, J. Philip. Review of Ives Three Improvisations, transcribed and edited by Gailand James Dapogny (Associated, 1984) and The Unanswered Question, critical edition by Paul C. Echols and Noel Zahler (Peer, 1985). Notes 44, no. 2 (December 1987): 352-355.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1987
Complete Citation:
Lambert, J. Philip. “Reviewed Works: Three Improvisations by Charles Ives, Gail Dapogny, James Dapogny; The Unanswered Question; For Trumpet, Flute Quartet, and Strings by Charles Ives, Paul C. Echols, Noel Zahler.” Notes 44, no. 2 (December 1987): 352-355.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Lambert, Kevin J.
Year: 1997
Complete Citation:
Lambert, Kevin J. “Choral Review: “Psalm 14,” by Charles E. Ives.” Choral Journal, Vol. 37, No. 7 (1997): 57.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Linn, Tammy
Year: 2010
Complete Citation:
Linn, Tammy. Variations on “America” for Violin and Piano by Charles Ives, arranged by Daniel Dorff. American String Teacher, Vol. 60, No. 1 (2010): 71-72.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Lowens, Irving
Year: 1956
Complete Citation:
Lowens, Irving. “Twelve Songs and Fourteen Songs.” Notes 13, no. 2 (March 1956): 354-355.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Lubovitch, Lar, chroeographer
Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.Notes: Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Magee, Gayle
Year: 2005
Complete Citation:
Magee, Gayle Sherwood. 2005. “Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock.” Institute for Studies in American Music Newsletter 34, no. 2 (Spring 2005): 11, 15.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.Notes: Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other