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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.
Notes:

Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Review.” Chattanooga Times (April 2, 1929).
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1930
Complete Citation:
“Old and New.” Danbury Times, June 30, 1930.
Notes:

An editorial quoting a re-sponse to what the difference is between the “old” and “new” schools of music by a “well--known composer of this vicinity.”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1932
Complete Citation:
“Becker Returns from Eastern Lecture Tour; Speaks Before Associa-tion of University Women in Milwaukee.” The Purple & Gray (March 4, 1932): 1.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“U.S. Concert Cheered and Jeered in Berlin.” The Washington Post. March 6, 1932, 11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Musik.” Hamburger Tageblatt. December, 1932, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Give Pan-American Music.” The New York Times, February 17, 1932, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Revue.” Voit Tout [Paris], February 25, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Pan-American Association of Composers Opens Season.” The New York Times (November 5, 1932): 12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Charles Ives Praised.” Danbury News. July 14, 1932: 322.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Musik.” Hamburger Anzeiger, December, 1932, 19.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Fourth of July.” Lokal-Anzeiger. March 10, 1932, 14, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Ives.” Musical Leader [New York] (May 12, 1932): 41.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Three Places in New England.” Musicalia [Havana] (March-April 1932): 17.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Berlin Cheers Slonimsky Music.” Boston Herald. March 6, 1932, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Critics and American Music; Suggestions from Mr. Copland.” New York Herald Tribune. May 8, 1932, sec. 7: 6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Set for Chamber Orchestra.” New York Mirror. March 2, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Charles Ives.” Danbury News-Times, March 2, 1932.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
“Musik.” Der Tag [Berlin], March 1932, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances