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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hayford, Justin

Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “‘Waltz-Rondo’ und andere Klavierstucke von Charles Ives. [Review of Waltz-Rondo by Charles Ives.]” Neuland 1 (1980): 44-46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982-1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ ‘Study No. 20.’ Review of Study No. 20 by Charles Ives.]” Neuland 3 (1982-83): 242.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Henry, Derrick

Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Hoeschler, Linda

Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.
Notes:

Review of The Ives Liturgy: A Mass of the Common Man (1970)

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Hornsby, Bruce R.

Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.
Notes:

Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.

Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Hume, Paul

Year: 1954
Complete Citation:
Hume, Paul. “Reviewed Work: Ten Songs for Voice and Piano by Charles Ives.” Notes, vol. 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Hume, Paul. “Ten Songs.” Notes 11, no. 3 (June 1954): 449-450.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1964
Complete Citation:
Hume, Paul. “Review of Ten Early Songs.” Music Library Association Notes, Second Series, vol. II, no. 3 (June 1964).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Johnson, Lockrem

Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Jones, Chris

Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other