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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kerr, Harrison

Year: 1932
Complete Citation:
Kerr, Harrison. “Die Gurre-lieder and the Festival at Yaddo.” Trend 1 (June-August, 1932): 57.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. Trend 2 (April-June 1933): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “The League of Composers Presents—Rather Tardily—Mr. Florent Schmitt.” Trend 1 (January-March 1933): 142.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “Creative Music.” Trend 2 (April-June 1933): 87-89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Kerr, Harrison. “Creative Music and the New School.” Trend (March-April 1934): 89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kimberley, Nick

Year: 2005
Complete Citation:
Kimberley, Nick. “Reviews: Vocal - Gerald Finley on the Songs of Charles Ives.” Gramophone, Vol. 83 (2005): 77.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kimmelman, Michael

Year: 1988
Complete Citation:
Kimmelman, Michael. “Concert: Marc-Andre Hamelin Plays Ives: Review.” The New York Times, January 16, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kirzinger, Robert

Year: 2000
Complete Citation:
Kirzinger, Robert. “Classical Recordings: Cowell - “Exultation”; “Aeolian Harp”; “The Lilt of the Reel”; “Tiger”; “Dynamic Motion”; “What’s This”; “Amiable Conversation”; “Advertisement”; “Antinomy”; “Time Table”; “The Banshee”; Ives - “The Alcotts”; 3 Improvisations; Study No. 22; “The Celestial Railroad”; Harrison - Piano Sonata No. 3; Prelude for Grandpiano; “Homage to Milhaud”; “New York Waltzes”; Large Ostinato; “May Rain”; Saraband. Fanfare: The Magazine for Serious Record Collectors, Vol. 24, No. 2 (2000): 255-256.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kislinger, Peter

Year: 2005
Complete Citation:
Kislinger, Peter. “Echo: “I hear America singing”: Projekt Thomas Hampson.” Österreichische Musikzeitschrift, Vol. 60, No. 4 (2005): 46-47.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Notes:

Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle: Review.” The New York Times, June 19, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance