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Bibliography

Rich, Alan

Year: 1961
Complete Citation:
Rich, Alan. “Contemporary Music Society.” Musical America 81, no. 4 (April 1961): 65.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Rich, Alan. “Must We Now Praise Famous Men?” New York Magazine 7/43 (Octo-ber 28, 1974): 95-96.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Richard Dufallo and Brenden Gill, developers.

Year: 1975
Complete Citation:
Richard Dufallo and Brenden Gill, developers. Meeting Mr. Ives (1975); theater piece.
Notes:

Music: The Unanswered Question’, General William Booth Enters into Heaven', Like a Sick Eagle', and The Children's Hour. <br><br>Prf: 1975 August 20--24: Lenox, MA; Lenox Art Center; Dennis Nahat, choreographer and stage director; Wayne Turnage, bari-tone; Catherine Rowe, soprano; Donald Symington (George Ives); David Westfass (Charles Ives).

Source: Theater Piece
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

Riedel, Johannes

Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riis, T. L.

Year: 2006
Complete Citation:
Riis, T. L. “Charles Ives, Violin Sonatas Nos. 1-4.” American Music, Vol. 24, No. 2 (2006): 249-250.
Source: Journal (edition/recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Riley, Robert

Year: 1966
Complete Citation:
Riley, Robert. “Debut Orchestra Gives Tour of ‘New England.’’’ Los Angeles Times, March 6, 1966.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1967
Complete Citation:
Riley, Robert. “Singers on Stage at Wilshire Ebell.” Los Angeles Times, April 17, 1967, D30.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Ritzel, Rebecca J.

Year: 2004
Complete Citation:
Ritzel, Rebecca J. “Music at Gretna Celebrates Ives, Dvorak Anniversaries.” Intelligencer Journal, June 18, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Robbins, Michael

Year: 1974
Complete Citation:
Robbins, Michael. “Ives Evenings.” The Washington Post, September 29, 1974, PO22.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rockwell, John

Year: 1971
Complete Citation:
Rockwell, John. “Ives’ 4th Symphony in Local Premiere.” Los Angeles Times, March 27, 1971, A6.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1973
Complete Citation:
Rockwell, John. “Sound of New Music Is Likened to Art.” The New York Times, January 3, 1973.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1988
Complete Citation:
Rockwell, John. “Ives With a Bit of Help.” New York Times, November 20, 1988, 67. 
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1989
Complete Citation:
Rockwell, John. “Review/Music; Previous Carnegie Winners.” The New York Times, September 25, 1989.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1989
Complete Citation:
Rockwell, John. “Pianist’s Cage and Ives.” The New York Times, January 31, 1989, C15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1990
Complete Citation:
Rockwell, John. “A Pianist Juxtaposes Charles Ives and Art Tatum.” The New York Times, March 26, 1990, C12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Rodgers, Harold A.

Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews