Berger, Arthur V.
Year: 1932
Complete Citation:
Berger, Arthur V. “Ruggles Work Performed.” Sunday Mirror (New York). January 24, 1932.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1946
Complete Citation:
Berger, Arthur V. “Three New Sonatas.” New York Herald Tribune, November 12, 1946, 21.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bermúdez, Santiago Martín
Year: 2004
Complete Citation:
Bermúdez, Santiago Martín. “Charles Ives: La Soldedad.” Scherzo: Revista de Música, Vol. 19 (2004): 106-108.Source: Magazine (review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2012
Complete Citation:
Bermúdez, Santiago Martín. “Discos: Ives, incandescente.” Scherzo: Revista de Música, Vol. 27 (2012): 59.Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bernheimer, Martin
Year: 1971
Complete Citation:
Bernheimer, Martin. “Philharmonic does Ives’ 1st.” Los Angeles Times, 1971, A6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bernstein, Leonard
Year: 1962
Complete Citation:
Bernstein, Leonard. “Program Five, Folk Music in the Concert Hall.” In Young People's Concerts for Reading and Listen-ing. New York, NY: Simon and Schuster, 1962.Notes: Includes discussion about Symphony No. 2 (109--111). Supplement has an abridged recording of the last movement on a 7-inch LP record.
Source: Book
Reprints: Bernstein, Leonard. <i>Revised, and Newly Expanded: Leonard Bernstein's Young People's Concerts</i>, edited by Jack Gottlieb. New York: Anchor Books, Doubleday, 1992.
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Blangger, Tim
Year: 2001
Complete Citation:
Blangger, Tim. “Baritone Hopes People Embrace, Don’t Beware, The Ives of March: First Edition.” The Morning Call, March 15, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Blangger, Tim. "Buckner Boosts Stock of Charles Ives: First Edition." The Morning Call, March 21, 2001.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Blitzenstein, Marc
Year: 1936
Complete Citation:
Blitzenstein, Marc. “Les Jeunes Americains dans la Musique.” La Revue Musicale 163, February 1936, 145.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Blitzstein, Marc
Year: 1932
Complete Citation:
Blitzstein, Marc. “Review of ‘In the Night’ (Pan American Concert, New York, February 16, 1932).” Modern Music 9/3 (March, 1932).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
Blyth, Alan
Year: 1966
Complete Citation:
Blyth, Alan. “Pop Celebration.” Music and Musicians 15, No. 2 (October 1966): 42.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Boissard, Bertrand
Year: 2014
Complete Citation:
Boissard, Bertrand. “Les disques de A à Z: Charles Ives.” Diapason: le magazine du disque et de la musique vivante (2014): 91-92.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bolle, Sonja
Year: 2003
Complete Citation:
Bolle, Sonja. “Children’s Books/Inspiring Lives: All Editions.” Newsday, January 26, 2003.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bowen, Meirion
Year: 1972
Complete Citation:
Bowen, Meirion. “Concerts: Contemporary.” Music and Musicians 20, no. 7 (March 1972): 66.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Braid, Andrew
Year: 2004
Complete Citation:
Braid, Andrew. “Charles Ives, American Original, at Last Gets a Full Tribute: All Editions. Sunday.” The Record, May 9, 2004.Notes: Special to the Record
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Bratishenko, Lev
Year: 2015
Complete Citation:
Bratishenko, Lev. “Illusions Satisfying, Like a Hearty New Music Sandwich.” Montreal Gazette, May 2, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Briggs, J.
Year: 1954
Complete Citation:
Briggs, J. “Records: Works by Scriabin and Ives.” The New York Times, May 23, 1954, X6.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Bronson, Carl
Year: 1932
Complete Citation:
Bronson, Carl. “Ultra-Modern Music Rules in Concert.” Los Angeles Evening Herald, December 31, 1932, 322.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Brookes, Stephen
Year: 2015
Complete Citation:
Brookes, Stephen. “A Fresh Take on the Rarely Heard Music of Charles Ives.” The Washington Post, November 23, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2015
Complete Citation:
Brookes, Stephen. “Performance of Ives Sonata is Beyond Words.” The Washington Post, November 24, 2015.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances