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Bibliography

Cowell, Henry

Year: 1930
Complete Citation:
Cowell, Henry. “Batons are Scepters.” The New Freeman 1/16, July 2, 1930, 374-376.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1931
Complete Citation:
Henry Cowell. “Music.” Americana Annual: An Encyclopedia of Current Events (1931): 513.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1932
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events, 1932, 486-487. New York, NY: Grolier, 1932.
Source: Chapter in Book
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Cowell, Henry. “Music.” Americana Annual: An Encyclopedia of Current Events (1933): 517.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1935
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events (1935), 473-474.
Source: Encyclopedia
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1936
Complete Citation:
Cowell, Henry. “Music.” In Americana Annual: An Encyclopedia of Current Events (1936), 474.
Source: Encyclopedia
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1949
Complete Citation:
Cowell, Henry. “Current Chronicle.” The Musical Quarterly. (July 1949) 35/3: 458-462.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1951
Complete Citation:
Cowell, Henry. “Review of Second Symphony, First Performance.” Musical Quarterly 37/3 (July 1951): 399-402. 
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1953
Complete Citation:
Cowell, Henry. "United States, New York.” Music Quarterly 39/3 (July 1953): 426-432.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Cowell, Henry, and Richard F. Goldman

Year: 1949
Complete Citation:
Cowell, Henry, and Richard F. Goldman. "Current Chronicle: New York.” Musical Quarterly 35 (1949): 451-465.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Cowell, Henry Dixon

Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Cowell, Sidney

Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Croche, Florestan

Year: 1963
Complete Citation:
Croche, Florestan. “New Records Works by Charles Ives.” The Sun, July 28, 1963: FA4.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1969
Complete Citation:
Croche, Florestan. “New Records: Ives’s Compositions for Piano.” The Sun, February 23, 1969, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Crutchfield, Will

Year: 1984
Complete Citation:
Crutchfield, Will. “American Symphony And the Ives Fourth.” The New York Times. October 15, 1984, sec. C, 14.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1986
Complete Citation:
Crutchfield, Will. “Church Plans Ives Concert.” The New York Times, February 7, 1986.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances

Crutchfield, William

Year: 1984
Complete Citation:
Crutchfield, William. “Danbury Celebrates a Favored Son, Charles Ives.” The New York Times, September 28, 1984, C3.
Source: Newspaper
A. Reviews and Announcements of Premieres and Significant Performances