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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kastendieck, Miles

Year: 1965
Complete Citation:
Kastendieck, Miles. “The Pioneering Ives.” New York Journal American, April 25, 1965, 31.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kelly, John Alexander

Year: 1931
Complete Citation:
Kelly, John Alexander. “Musical Settings of Goethe’s Poems in America.” The Germanic Review VI, 3 (July 1931): 241.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kennicott, Philip

Year: 1998
Complete Citation:
Kennicott, Philip. “Schuller’s Return Blends ‘New’ Ives, ‘Old’ Masters.” St. Louis Post-Dispatch, March 2, 1998, sec. B, 2.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2001
Complete Citation:
Kennicott, Philip. “NSO, Up To the Challenge Of Ives’s Genius.” Washing-ton Post, April 27, 2001, sec. C, 1.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kenyon, Nicholas

Year: 2009
Complete Citation:
Kenyon, Nicholas. “Review: Critics: Releases: CLASSICAL: Ives, Complete Choral Psalms SWR Vokalensemble Stuttgart/Marcus Creed.” The Observer (London, England), February 22, 2009, 18.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Keogh, Tom

Year: 2015
Complete Citation:
Keogh, Tom. “And Now for Something Completely Different: Charles Ives’ Fourth.” The Seattle Times, January 23, 2015, E23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerins, Annabelle

Year: 2004
Complete Citation:
Kerins, Annabelle. “This Weekend: Queens Edition 1.” Newsday, January 23, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerr, Harrison

Year: 1932
Complete Citation:
Kerr, Harrison. “Die Gurre-lieder and the Festival at Yaddo.” Trend 1 (June-August, 1932): 57.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “The League of Composers Presents—Rather Tardily—Mr. Florent Schmitt.” Trend 1 (January-March 1933): 142.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. Trend 2 (April-June 1933): 36-37.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1933
Complete Citation:
Kerr, Harrison. “Creative Music.” Trend 2 (April-June 1933): 87-89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1934
Complete Citation:
Kerr, Harrison. “Creative Music and the New School.” Trend (March-April 1934): 89.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kimmelman, Michael

Year: 1988
Complete Citation:
Kimmelman, Michael. “Concert: Marc-Andre Hamelin Plays Ives: Review.” The New York Times, January 16, 1988.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle: Review.” The New York Times, June 19, 1999.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2004
Complete Citation:
Kisselgoff, Anna. “Saluting American Artistry, from Sousa to Ives to Cage: Review.” The New York Times, June 2, 2004.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances