Cowan, Rob
Year: 2013
Complete Citation:
Cowan, Rob. “Orchestral Reviews: “From the New World.”” Gramophone, Vol. 91 (2013): 59.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Cowell, Henry
Year: 1953
Complete Citation:
Cowell, Henry. “Violin Sonatas Nos. 1 and 3.” Musical Quarterly 39/4 (April 1953): 323-325.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1956
Complete Citation:
Cowell, Henry. “Symphony No. 3.” Musical Quarterly 42/1 (January 1956): 122-123.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Cowell, Henry Dixon
Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Cowell, Sidney
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Somethings Just Unusual.’” High Fidelity and Musical America, October 1974, MA-14.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Croce, Arlene
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).Notes: Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Croche, Florestan
Year: 1972
Complete Citation:
Croche, Florestan. "New Records: Ives, Messiaen Together." The Sun, October 1, 1972, D12.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Croche, Florestan. “New Records: Ives Re-Examined on 100th Birthday.” The Sun, February 17, 1974, D23.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Croche, Florstan
Year: 1967
Complete Citation:
Croche, Florstan. “New Records Connecticut Yankee's ‘Sonata’.” The Sun, August 6, 1967, D10.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Crory, Neil
Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Currier, Ruth
Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany.
Music: Song for Harvest Season; From the Steeples and the Mountains.Notes: Music: Song for Harvest Season; From the Steeples and the Mountains.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Curtis, William D.
Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Daniel, Oliver
Year: 1953
Complete Citation:
Daniel, Oliver. “New Recordings.” American Composers Alliance Bulletin 3, no. 1 (1953): 17.Source: Bulletin
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Darrell, R.D., comp.
Year: 1934
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Davis, Francis
Year: 1987
Complete Citation:
Davis, Francis. “Jazz Quartet’s New Work Owes a Debt to Charles Ives.” The Philadelphia Inquirer, October 10, 1987.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Davis, Peter
Year: 1974
Complete Citation:
Davis, Peter. “The Ives Boom on Disk: Every Sketch, Scrap and Master-piece.” The New York Times, October 20, 1974, sec. D, 26.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews