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Bibliography

Cowan, Rob

Year: 2013
Complete Citation:
Cowan, Rob. “Orchestral Reviews: “From the New World.”” Gramophone, Vol. 91 (2013): 59.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cowell, Henry

Year: 1953
Complete Citation:
Cowell, Henry. “Violin Sonatas Nos. 1 and 3.” Musical Quarterly 39/4 (April 1953): 323-325.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1956
Complete Citation:
Cowell, Henry. “Symphony No. 3.” Musical Quarterly 42/1 (January 1956): 122-123.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Cowell, Henry Dixon

Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Cowell, Sidney

Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Somethings Just Unusual.’” High Fidelity and Musical America, October 1974, MA-14.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Croche, Florestan

Year: 1972
Complete Citation:
Croche, Florestan. "New Records: Ives, Messiaen Together." The Sun, October 1, 1972, D12.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Croche, Florestan. “New Records: Ives Re-Examined on 100th Birthday.” The Sun, February 17, 1974, D23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Croche, Florstan

Year: 1967
Complete Citation:
Croche, Florstan. “New Records Connecticut Yankee's ‘Sonata’.” The Sun, August 6, 1967, D10.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Crory, Neil

Year: 2005
Complete Citation:
Crory, Neil. “A Song - for Anything: Songs by Charles Ives.” Opera Canada, vol. 46, no. 4 (2005): 51.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Crory, Neil. “Opera at Home: CDs: Charles Ives: “Romanzo Di Central Park.”” Opera Canada 49, no. 1 (2008): 49-50.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Currier, Ruth

Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany.

Music: Song for Harvest Season; From the Steeples and the Mountains.
Notes:

Music: Song for Harvest Season; From the Steeples and the Mountains.

Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Curtis, William D.

Complete Citation:
Curtis, William D. “Symphony No. 4; Central Park in the Dark, conducted by Selji Ozawa.” The American Record Guide 40/1 (October 1977): 32-34.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Daniel, Oliver

Year: 1953
Complete Citation:
Daniel, Oliver. “New Recordings.” American Composers Alliance Bulletin 3, no. 1 (1953): 17.
Source: Bulletin
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Darrell, R.D., comp.

Year: 1934
Complete Citation:
Darrell, R.D., comp. “Living American Composers: A List with Notes on the Recordings or Recording Possibilities.” Music Lovers’ Guide 2 (February, 1934): 173.
Source: Book
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Davis, Francis

Year: 1987
Complete Citation:
Davis, Francis. “Jazz Quartet’s New Work Owes a Debt to Charles Ives.” The Philadelphia Inquirer, October 10, 1987.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Davis, Peter

Year: 1974
Complete Citation:
Davis, Peter. “The Ives Boom on Disk: Every Sketch, Scrap and Master-piece.” The New York Times, October 20, 1974, sec. D, 26.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews