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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
(-) XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hecht, Roger

Year: 2014
Complete Citation:
Hecht, Roger. “Guide to Records: Seattle Symphony - “Ives: Symphony 2; Gershwin: ‘American in Paris’; Carter: ‘Instances.’”” American Record Guide, Vol. 77, No. 5 (2014): 109-110.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Helm, Everett

Year: 1962
Complete Citation:
Helm, Everett. “Another Concord Sonata.” Musical America 82, no. 6 (June 1962): 27-28.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hemming, Roy

Year: 1985
Complete Citation:
Hemming, Roy. “Michael Tilson Thomas.” Stereo Review 50/7 (July 1985): 53-55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Henahan, Donal

Year: 1970
Complete Citation:
Henahan, Donal. “Recordings: Was Ives Merely an Inspired Dabbler?” The New York Times, July 19, 1970, 87.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play Their Own Music.” The New York Times, July 14, 1974, sec. 2, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Henahan, Donal. “On Listening to Mahler, Ravel and Ives Play their Own Music: The Value of some Historical Recordings is that they ‘Leave Little Doubt as to how the Composer Wanted His Music Played.’” The New York Times, July 14, 1974, 107.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hewett, Ivan

Year: 2003
Complete Citation:
Hewett, Ivan. “Reviews: Chamber - A Little Help from Their Friends: [Charles Ives].” BBC Music Magazine, Vol. 11, No. 7 (2003): 68.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hitchcock, H. Wiley

Year: 1995
Complete Citation:
Hitchcock, H. Wiley. “Ivesiana on Disk.” Newsletter - Institute for Studies in American Music 24, no. 2 (Spring 1995): 7.
Source: Newsletter
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Homfray, Tim

Year: 2014
Complete Citation:
Homfray, Tim. “Reviews-CDs: Sounds of a Century.” The Strad, Vol. 125 (2014): 90.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Hume, Paul

Year: 1974
Complete Citation:
Hume, Paul. “Piano Sonatas.” The Washington Post, October 15, 1974: B11.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Jack, Adrian

Year: 1974
Complete Citation:
Jack, Adrian. “Ives, Symphonies.” Records and Recording 18/1 (October 1974): 47-48.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Jack, Adrian. “Ives Recordings.” Records and Recording 18/2 (November 1974): 81.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1975
Complete Citation:
Jack, Adrian. “Charles Ives, The Celestial Country.” Records and Recording 18/6 (March 1975): 62.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Jacobson, Bernard

Year: 1966
Complete Citation:
Jacobson, Bernard. “Zukovsky and Kalish Play Ives.” High Fidelity/Musical America 16, no. 4 (April 1966): 152.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1967
Complete Citation:
Jacobson, Bernard. “American Symphony Orchestra: Stokowski.” High Fidelity/Musical America 17, no. 3 (March 1967), p. 16.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “Schuman: Violin Concerto. “New England Triptych.” Ives-Schuman: Variations on “America.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 1 (2001): 267-268.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2001
Complete Citation:
Jacobson, Bernard. “The Want List 2001: Bernard Jacobson.” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 2 (2001): 113.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Jaffe, Daniel

Year: 1997
Complete Citation:
Jaffe, Daniel. “Names for the Millennium: Marc-André Hamelin.” Classic CD (1997): 42.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

James Drew

Year: 1970
Complete Citation:
“Modern Music and the Debt to Charles Ives.” Yale Reports Series. Hartford, CT: WTIC, 2 parts: 30 minutes each. Part 1 on December 27, 1970; Part 2 on January 3, 1971.
Source: Telecast
Reprints:

Discussion of Ives as a composer, of his father, of his musical background, of the traditions that influenced him, of the structure of his compositions, and of his influence on other composers by James Drew, Assistant Professor of Music Theory at Yale University. Recorded musical examples for illustration chosen from works by Ives, George Rochberg, Luciano Berio, and James Drew.

XV. Television Broadcasts, Films, and Videocassettes
A. Television Broadcasts

Jepson, Barbara

Year: 2019
Complete Citation:
Jepson, Barbara. “Composers Who found Inspiration in the Vernacular; Michael Tilson Thomas and the San Francisco Symphony Offer a New Recording of Charles Ives Music; Violinist Rachel Barton Pine Plays Concertos by Antonín Dvořák and Aram Khachaturian.” The Wall Street Journal, November 13, 2019.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews