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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

North, James H.

Year: 2005
Complete Citation:
North, James H. “Gershwin: “Cuban Overture”; Harbison: Symphony No. 3; Ives: Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 6 (2005): 136.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Universe Symphony”; Ives: “Universe Symphony”; Symphony No. 2.” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 1 (2005): 204-206.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: “Varied Airs and Variations”; “Waltz-Rondo”; Invention in D; Studies: No. 1; No. 2; No. 11; No. 4; No. 5; “Storm and Distress”; “Impression of 'St. Gaudens’ in Boston Common”; “The Celestial Railroad”; “Minuetto”; “3 Quarter-Tone Pieces”; 7 Marches for Piano; George Ives: Fourth Fugue.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 132-133.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
North, James H. “Ives: Sonata No. 2, “Concord, Mass., 1840-60”; Barber: Piano Sonata in e-flat.” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 131-132.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2006
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphony No. 2; “The Unanswered Question”; “Central Park in the Dark.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 29, No. 3 (2006): 139-140.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphonies: No. 1; No. 4; “Central Park in the Dark”; Ives - Symphonies: No. 2, No. 3, “The Camp Meeting”; “General William Booth Enters into Heaven.”” Fanfare 30, no. 4, (March 2007): 145-147.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Northcutt, Bayan

Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Noss, Luther

Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

O’Regan, Tarik

Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

O'Reilly, Warren

Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Oliver, Michael

Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Osborne, Neale

Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork

P., J.

Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Page, Tim

Year: 1997
Complete Citation:
Page, Tim. Difficult Contemporary Works. Fi: The Magazine of Music & Sound, Vol. 2, No. 2, (1997): 104-105, 107-109.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Paolozzi, Eduardo

Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.
Notes:

Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).

Source: Painting Series
XVI. Photographs and Artwork
B. Artwork

Payne, Anthony

Year: 1968
Complete Citation:
Payne, Anthony. “Record Guide.” Tempo 85 (Summer 1968): 33.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Pérez Adrián, Enrique

Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Pfaffman, Scott

Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.
Source: Sculpture
Reprints:

Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.

XVI. Photographs and Artwork
B. Artwork

Philip Van Aver

Year: 1975
Complete Citation:
Van Aver, Philip. “Untitled (Drawing).” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 294.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Pincus, Andrew

Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews