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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rukeyser, Muriel

Year: 1939
Complete Citation:
Rukeyser, Muriel. “Ives.” In A Turning Wind, 115-120. New York, New York: Viking Press, 1939.
Source: Poem
XIII. Ives in Literature
A. Poetry
Year: 1939
Complete Citation:
Muriel Rukeyser. "Ives." A Turning Wind. New York: Viking Press, 1939: 115--120. Reprints: Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'"
Source: Poem
Reprints:

Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'" Muriel Rukeyser. Selected Poems. New York: New Directions, 1951: 62--63: "from Ives.” Untune the Sky; Poems of Music and Dance, compiled by Helen Plotz. New York: Thomas Y. Crowell Company, 1957: "This is Charles Ives" (an excerpt from "Ives"). Muriel Rukeyser. Waterlily. Fire, Poems 1935--1962. New York: Macmillan Company, 1962: 68--71. A Muriel Rukeyser Reader, edited by Jan Heller Levi; introduction by Adrienne Rich. New York: W. W. Norton, 1995: 65--66: "from Charles Ives.”

XIII. Ives in Literature
A. Poetry

Schevill, James Erwin

Year: 1996
Complete Citation:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In The Complete American Fantasies. Athens, OH: Swallow Press/Ohio University Press, 1996: 17--19.
Source: Poem in Book
Reprints:

Schevill, James Erwin. “Hats and Ears for Charles Ives.” In <i>New and Selected Poems</i>, 103-105. Athens, OH: Swallow Press/Ohio University Press, 2000.

XIII. Ives in Literature
A. Poetry

Schulman, Jennie

Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld brings provocation to NYC ballet.” Back Stage 41, no. 7 (February 2000).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2004
Complete Citation:
Schulman, Jennie. “NYC ballet in Balanchine American Fest.” Back Stage 45, no. 25 (June 2004).
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K.R.

Year: 1988
Complete Citation:
Schwarz, K.R. “Dance; As American as Robbins & Ives.(Arts and Leisure Desk).” The New York Times, January 31, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sérgio Luiz Rodrigues Medeiros

Year: 2008
Complete Citation:
Medeiros, Sérgio Luiz Rodrigues. Tótem & sacrificio: (poemas o prosas). Translated to Spanish by Douglas Diegues, Cristino Bogado, y Bernarda Acosta. Asunción, Paraguay: Yiyi Jambo, 2008.
Source: Book (of poems)
XIII. Ives in Literature
A. Poetry

Sloat, Susanna

Year: 1997
Complete Citation:
Sloat, Susanna. “Review of Charles Ives Trilogy (1993); ballet, Volume 1.” Attitude Brooklyn (Fall 1997): 82--83.
Notes:

Review of Volume 1 Performance: 1997 June 6: New York; St. Mark's Church; Dance Studio.

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Sokolow, Anna

Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna and Ilene Fox

Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.
Notes:

Choreography from 1971.

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna, choreographer

Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1988
Complete Citation:
Anna Sokolow, choreographer. Scenes from the Music of Charles Ives (1988); ballet; Anna Sokolow Company.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Steele, Mike

Year: 1990
Complete Citation:
Steele, Mike. “Paul Taylor Proves again He's among the Best Choreographers: METRO Edition.” Star Tribune, February 5, 1990.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Supree, B.

Year: 1988
Complete Citation:
Supree, Burt. “Dance: Blah Blah Blah Suffering (Scenes from the Music of Charles Ives).” Village Voice 30. De-cember 31, 1988: 79.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Swan, Christopher

Year: Year unlisted
Complete Citation:
Swan, Christopher. “Poem After Hearing Charles Ives’ Concord Sonata.” Publisher and year unlisted.
Source: Poem
XIII. Ives in Literature
A. Poetry

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taylor, Paul, choreographer

Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.
1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance