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Bibliography

Goldner, Nancy

Year: 1975
Complete Citation:
Goldner, Nancy. “Dance.” The Nation 220/19 (May 17, 1975): 603--604.
Notes:

Scherzo: Over the Pavements and Hallowe’en “seem to be lost for good. ... [I]t virtually introduced the great composer to a wide public.”

Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Goldner, Nancy. “A Robbins Ballet Debuts in New York.” The Philadelphia Inquirer, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

H, J. S.

Year: 1954
Complete Citation:
H, J. S. “Music of the Ballet.” New York Herald Tribune, September 15, 1954, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Hamilton, William

Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.
Source: Cartoon
XVI. Photographs and Artwork
B. Artwork

Hassard, Ray

Complete Citation:
Hassard, Ray. “Illustration in the form of a baseball card.” American Record Guide 54/4 (July/August 1991): 69.
Notes:

Based on a photo-graph by W. Eugene Smith.

Source: Illustration
XVI. Photographs and Artwork
B. Artwork

Hayford, Justin

Year: 2014
Complete Citation:
Hayford, Justin. “Charles Ives Take Me Home.” Reader, May 29, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Henry, Derrick

Year: 1989
Complete Citation:
Henry, Derrick. “Baritone's Dramatic Portrayal Brings Music of Composer Charles Ives to Life.” Atlanta Constitution, October 2, 1989, sec. B, 3.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
Year: 1997
Complete Citation:
Henry, Derrick. “Atlanta Ballet Performing ‘Carmina Burana’ and ‘Prisma.’” Atlanta Constitution, May 8, 1997, sec. G, 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Herring, Mark

Year: 2004
Complete Citation:
Herring, Mark. Collage, 2004. BBC Music Magazine 12/10, June 2004, 48.
Source: Collage
XVI. Photographs and Artwork
B. Artwork

Hess, Richard

Year: 1974
Complete Citation:
Hess, Richard. Portrait, painting, 1974.
100th Anniversary Record Album, cover painting.
Source: Portrait
XVI. Photographs and Artwork
B. Artwork

Hewitt, Kathryn

Year: 1983
Complete Citation:
Kathryn Hewitt. Caricature, 1983. In Lives of the Musicians: Good Times, Bad Times (and What The Neighbors Thought), by Kathleen Krull and Kathryn Hewitt, 70. Boston, MA: Houghton Mifflin Harcourt, 2017.
Source: Caricature
XVI. Photographs and Artwork
B. Artwork

Hoeschler, Linda

Year: 1970
Complete Citation:
Hoeschler, Linda. “‘Ives Liturgy’ Performed; Modern Musical Compositions Mixed with Old- Time Hymns.” Minneapolis Star (May 18, 1970): 10A.
Notes:

Review of The Ives Liturgy: A Mass of the Common Man (1970)

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Hornsby, Bruce R.

Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.
Notes:

Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.

Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Huntington, Anna

Year: Pre-1966
Complete Citation:
Huntington, Anna. Bronze bust. Sculpture, 1966. Danbury, CT: Danbury Museum and Histori-cal Society (formerly Scott--Fanton Museum). Photograph in HiFi/Stereo Review 17/1 (July 1966): 72.
Source: Sculpture
Reprints:

Another is in the lobby of the Charles Ives Recital Hall, Western Connecticut State College, Dan-bury.

XVI. Photographs and Artwork
B. Artwork

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Jones, Chris

Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other