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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kisselgoff, Anna

Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Notes:

Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kitaj, R. B.

Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.
Notes:

Based on a photograph by W. Eugene Smith.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork

Kramer, Norman

Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).
Notes:

A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.

Source: Poster
XVI. Photographs and Artwork
B. Artwork

Kueffer, Bruce

Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.
Source: Sculpture
XVI. Photographs and Artwork
B. Artwork

L., Barbara

Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Levine, David

Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.
Notes:

Printed by Stephen Sholinsky.

Source: Etching
XVI. Photographs and Artwork
B. Artwork

Lubovitch, Lar, chroeographer

Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.
Notes:

Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Mackrell, Judith

Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Mainieri, Mike

Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.
NYC Records, 6015, 1995, CD.
Notes:

Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>

Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Majoros, David, compiler

Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-
Notes:

Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.

XII. Interdisciplinary Performances with Ives’s Music
A. Theatre

[Maloy?], Carl

Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.
Source: Sketch
XVI. Photographs and Artwork
B. Artwork

Martin, J.

Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Martin, John

Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews