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Bibliography

Heyman, Katherine

Year: 1928
Complete Citation:
Heyman, Katherine. “Do You Like Modern Music?” Sorbonne Radio Station, March 8, 1928.
Source: Radio Broadcast
Reprints:

Heyman declared that Ives “endeavors to portray the very soul of Emerson.”

XVII. Radio Broadcasts

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Mackrell, Judith

Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Martins, Peter, choreographer

Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.
Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Mitchell, Donald

Complete Citation:
Mitchell, Donald. “Music Magazine.” BBC Radio, March 14, 1965.
Source: Radio Broadcast
Reprints:

A fourteen-minute talk about Ives and Hindemith given on the BBC radio program.

XVII. Radio Broadcasts

Phillips, A.

Year: 1993
Complete Citation:
Phillips, A. “Blankert: ‘Charles Ives.’” Dance Theatre Journal 11/1 (Winter 1993): 37.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Robbins, Jerome, choreographer

Year: 1988
Complete Citation:
Jerome Robbins, choreographer. Ives, Songs (1988); New York City Ballet. Arranged in a manner evoking Thornton Wilder's Our Town with a "narrator" dressed as Ives. 1989 February 12: New York; New York State Theater; David Evitts, singer; Gordon Boelmer, piano.
Notes:

Music: The Children's Hour, Memories: Part A: "Very Pleasant"; Waltz', The Cage; The Se'er, Two Little Flowers', At the River, Serenity, He Is There!', Tom Sails Away, White Gulls; Songs My Mother Taught Me; There Is a Lane; In Summer Fields; from The Incantation; Autumn; Like a Sick Eagle; Elegie. <br><br>Prf: 1988 February 4: New York.

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner, August 21, 1938, 195-196.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Salzman, Eric, producer/narrator

Year: 1979
Complete Citation:
Salzman, Eric producer/narrator. “Five Minutes with Eric Salzman.” NPR, August--September, 1979.
Source: Radio Broadcast
Reprints:

Radio programs distributed to and played on station members of National Public Radio. One program in this series was de-voted to the introduction by Michael Davis to Charles Ives and his career in the insurance business, citing Ives as the originator of estate planning.

XVII. Radio Broadcasts

Schafer, R. Murray

Year: 1965
Complete Citation:
Schafer, R. Murray, compiler/producer. “In Search of Charles Ives.” Bud Knapp, voice of Charles Ives; and George McLean, reader. Canadian Broadcasting Corporation, April 25, 1965.
Source: Radio Broadcast
Reprints:

A two- hour radio documentary.

XVII. Radio Broadcasts

Schwarz, K. Robert

Year: 1988
Complete Citation:
Schwarz, K. Robert. “As American as Robbins & Ives: The New Ballet Choreographed by Jerome Robbins to Songs by Charles Ives Reflects the Composer's Life.” The New York Times, January 31, 1988, H10.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna

Year: 1980
Complete Citation:
Sokolow, Anna. Quartertones. New York, New York: Dance Notation Bureau, 1980.
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna and Ilene Fox

Year: 1983
Complete Citation:
Sokolow, Anna and Ilene Fox. “Scenes from the music of Charles Ives.” New York, NY: Dance Notation Bureau, 1983.
Notes:

Choreography from 1971.

Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Sokolow, Anna, choreographer

Year: 1976
Complete Citation:
Anna Sokolow, choreographer. Ellis Island (1976); ballet; Juilliard Dance Ensemble.
Music: excerpts from Sonata No. 2, "Concord, Mass., 1840--1860” for piano; Set No. 3; Sonata No. 3 for violin and piano; The Rainbow; Hymn, Tone Roads No. 1.
Prf: 1976 May 7: New York; Juilliard Theater; Andrew Rangell, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Taper, Bernard

Year: 1960
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Notes:

Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).

Source: Book
Reprints:

Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance