Image
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.
Bibliography
Genres
Bond, Victoria
Year: 1991
Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Budiansky, Stephen
Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cowell, Henry
Year: 1927
Complete Citation:
Cowell, Henry. “Our inadequate notation.” Modern Music 4 (March-April 1927): 31.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Darter, Tom
Year: 1996
Complete Citation:
Darter, Tom. “Conductor, Pianist, Composer: Michael Tilson Thomas on Contemporary Music, Notation vs. Interpretation, and the Keyboard as the Conduit for Musical Thought.” Keyboard, Vol. 22, No. 7 (1996): 62-68, 70, 72.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
de Mare, Anthony
Year: 1999
Complete Citation:
de Mare, Anthony. “The Sound of the Performer Thinking.” Listen to Norway, Vol. 7, No. 2 (1999): 26-27.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Goldstein, Malcolm
Year: 2008
Complete Citation:
Goldstein, Malcolm. “Some Anecdotal Evidence.” American Music 26, no. 4 (Winter 2008): 499-513.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Haylock, Julian
Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Henck, Herbert
Year: 2004
Complete Citation:
Henck, Herbert. “Do whatever seems natural or best to you.” In Charles Ives, 1874-1954. Amerikanischer Pionier der Neuen Musik, edited by Haans-Werner Meister, 116-122. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Book
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Igoa, Enrique
Year: 2004
Complete Citation:
Igoa, Enrique. “Charles Ives: Los Escritos Musicales.” Scherzo: Revista de Música, Vol. 19 (2004): 116-119.Source: Magazine
I. Ives as Author
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ives, Charles
Complete Citation:
Ives, Charles. “A Song of Mory’s.” The Yale Courant XXXIII, February Fourth Week 1897, 280-281.Notes:
Words by Charles Edmund Merrill, Jr.
Source: Magazine
I. Ives as Author
Complete Citation:
“A Short Story for Summer Reading.” Ives and Myrick Bulletins (July- September).Source: Company Bulletin
I. Ives as Author
Complete Citation:
Ives, Charles. The Minimum and the Maximum. New York, NY: Ives and Myrick.Notes:
Eleven-page booklet.
Source: Pamphlet
I. Ives as Author
Complete Citation:
“How to Read a Rate Book.” New York, NY: Ives and Myrick.Source: Pamphlet
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. “A Scotch Lullaby.” The Yale Courant XXXIII, December Third Week, 1896, 125-27.Notes:
Words by Charles Edmund Merrill, Jr.
Source: Magazine
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. William Will: A Republican Campaign Song. New York, New York: Willis Woodward & Co., 1896.Notes:
Words by S.B. Hill
Source: Musical Score
I. Ives as Author