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Bibliography

Genres

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ashbee, Andrew

Year: 2016
Complete Citation:
Ashbee, Andrew. “James Shirley’s The Triumph of Peace Revisited.” The Consort: European Journal of Early Music, Vol. 72 (2016): 31-48.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Atlas, Allan W.

Year: 1996
Complete Citation:
Atlas, Allan W. The Wheatstone English Concertina in Victorian England. Oxford, United Kingdom: Clarendon Press, 1996.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Bernstein, Leonard

Year: 1982
Complete Citation:
Bernstein, Leonard. “The Absorption of Race Elements into American Music.” In Findings: Fifty Years of Meditations on Music, 36-99. New York, NY: Doubleday, 1982.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Block, Geoffrey

Year: 1996
Complete Citation:
Block, Geoffrey. “Ives and the ‘Sounds that Beethoven Didn't Have.’” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 34-50. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Burkholder, J. Peter

Complete Citation:
Burkholder, J. Peter. “Introduction: “A Continuing Spirit.”” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 1-8. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1996
Complete Citation:
Burkholder, J. Peter. “Ives and the Four Musical Traditions.” In Charles Ives and His World, 3-34. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Cowell, Henry

Year: 1925
Complete Citation:
Cowell, Henry. “The Value of Eclecticism.” Sackbut 5, no. 9 (1925): 264--265.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Duane, Ben

Year: 2013
Complete Citation:
Duane, Ben. “Auditory Streaming Cues in Eighteenth- and Early Nineteenth-Century String Quartets: A Corpus-Based Study.” Music Perception: An Interdisciplinary Journal 31/1 (2013): 46-58.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Duke, Vernon

Year: 1937
Complete Citation:
Duke, Vernon. “Musicalantics and Antiques.” Stage (March 1937): 78.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Hüppe, Eberhard

Year: 2012
Complete Citation:
Hüppe, Eberhard. “Charles Ives’ Entkoppelung von Europa.” In Urbanisierte Musik: eine Studie über gesellschaftliche Determinanten musikalischer Raumproduktion und Raumaneignung. Münster, Germany: Verlagshaus Monsenstein und Vannerdat, 2012.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Igoa, Enrique

Year: 2004
Complete Citation:
Igoa, Enrique. “Charles Ives: Los Escritos Musicales.” Scherzo: Revista de Música, Vol. 19 (2004): 116-119.
Source: Magazine
I. Ives as Author

Ives, Charles

Complete Citation:
Ives, Charles. The Minimum and the Maximum. New York, NY: Ives and Myrick.
Notes:

Eleven-page booklet.

Source: Pamphlet
I. Ives as Author
Complete Citation:
“A Short Story for Summer Reading.” Ives and Myrick Bulletins (July- September).
Source: Company Bulletin
I. Ives as Author
Complete Citation:
Ives, Charles. “A Song of Mory’s.” The Yale Courant XXXIII, February Fourth Week 1897, 280-281.
Notes:

Words by Charles Edmund Merrill, Jr.

Source: Magazine
I. Ives as Author
Complete Citation:
“How to Read a Rate Book.” New York, NY: Ives and Myrick.
Source: Pamphlet
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. William Will: A Republican Campaign Song. New York, New York: Willis Woodward & Co., 1896.
Notes:

Words by S.B. Hill

Source: Musical Score
I. Ives as Author
Year: 1896
Complete Citation:
Ives, Charles. “A Scotch Lullaby.” The Yale Courant XXXIII, December Third Week, 1896, 125-27.
Notes:

Words by Charles Edmund Merrill, Jr.

Source: Magazine
I. Ives as Author
Year: 1910
Complete Citation:
Ives, Charles. “Life Insurance: The Amount to Carry, and How to Carry It.” New York, NY: Ives and Myrick.
Notes:

Different from the 1920 article and the 1920 and 1922 pamphlet reprints.

Source: Pamphlet
I. Ives as Author
Year: 1916
Complete Citation:
Ives, Charles. “Letter to the Editor.” The Evening Post (New York, NY), December 4, 1916, 8.
Notes:

Signed “Fundamental”

Source: Newspaper
I. Ives as Author