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Bibliography

Genres

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II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ives, Charles; Julian A. Ripley, editor

Year: 1925
Complete Citation:
Quarter- Century Record of the Class of 1898, Yale College, edited by Julien A. Ripley (Class Steward). New York: The Class Secre-tary Bureau, 1925: 142--143.
Source: University Publication
I. Ives as Author

Ives, Charles; Meyer, Felix, translator

Complete Citation:
Ives, Charles. “Postface.” German translation by Felix Meyer.
Source: {B1079: 133-14}.
I. Ives as Author

Ives, Charles / Meyer, Felix translator

Complete Citation:
German by Felix Meyer
Source: [B1079: 27-131}.
I. Ives as Author

Ives, Charles; Viviana Aliberti, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” French translation by Viviana Aliberti
Source: {B1107: 176--180}.
I. Ives as Author

McCarrell, Stuart

Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Perlis, Vivian

Year: 1994
Complete Citation:
Perlis, Vivian. “Oral History and Music.” The Journal of American History 81/2 (1994): 610-619.
Source: Journal
I. Ives as Author
P. Ives Collaborators and Colleagues

Powell, Larson

Year: 2007
Complete Citation:
Powell, Larson. “Die Zukunft in Ruinen: Versüch Über Charles Ives. 1-3.” Musik & Ästhetik 11/41 (January 2007): 5-26 and 11/42 (April 2007): 5-21.
Source: Journal
I. Ives as Author

Rosenfeld, Paul

Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Von Glahn, Denise

Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

no author listed

Year: 1922, 1998
Complete Citation:
Ives, Charles. “Postface to 114 Songs / Charles Ives (1874-1954).” In Contemporary composers on contemporary music, edited by Eliot Schwartz, Barney Childs, and Jim Fox. New York, NY: Da Capo Press, 1998.
Source: Chapter in Book
I. Ives as Author
Year: 1991
Complete Citation:
“Charles Ives, by.” Musical America 111 (1991): 15.
Source: Journal
I. Ives as Author
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.
Source: Letter
VI. Topical Studies
M. Ives and Manhattan