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Bibliography

Genres

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ives, Charles

Year: 2008
Complete Citation:
Ives, Charles. “From the writings of Charles Ives.” In Music in the USA: A Documentary Companion, edited by Judith Tick and Paul E. Beaudoin, 341-347. New York, NY: Oxford University Press, 2008.
Source: Chapter in Book
I. Ives as Author
Year: 2016
Complete Citation:
Ives, Charles. Essays Before a Sonata and Other Texts [Essais avant une sonate et autres textes]. Translated by Carlo Russi, Vincent Barras, Viviana Aliberti, Dennis Collins and Sook Ji. Geneva, Switzerland: Contrechamps Éditions, 2016.
Source: Book
I. Ives as Author

Ives, Charles; Aloma Bardi, translator

Year: 1971
Complete Citation:
Translations of “Some Quarter-Tone Impressions.” Italian translation by Aloma Bardi.
Source: {B1352: 143-156}.
I. Ives as Author

Ives, Charles; Bardi, Aloma translator

Complete Citation:
Ives, Charles. “Postface.” Italian translation by Aloma Bardi.
Source: [B1352: 157-166].
I. Ives as Author

Ives, Charles; Bernlef, Jan, translator

Complete Citation:
Ives, Charles. “Postface.” Dutch translation by Jan Bernlef.
Source: [B0534: 93-103].
I. Ives as Author

Ives, Charles / Carlo Russi and Vincent Barras, translators

Complete Citation:
French by Carlo Russi and Vincent Barras
Source: {B1111: 11-98}.
I. Ives as Author

Ives, Charles E.

Year: 1920
Complete Citation:
Ives, Charles E. Essays Before a Sonata. New York: Knickerbocker Press, 1920.
Source: Book
Reprints:

Ives, Charles E. “Essays Before a Sonata.” In <i>Three Classics in the Aesthetic of Music</i>. New York: Dover, 1962, 103-185.

I. Ives as Author
Year: 1997
Complete Citation:
Ives, Charles E. Prima della Sonate. Translated to Italian by Aloma Bardi. Venice, Italy: Marsilio Editori, 1997.
Source: Book
I. Ives as Author

Ives, Charles; Felix Meyer, translator

Complete Citation:
Ives, Charles. “Music and Its Future.”German translation by Felix Meyer.
Source: (B1142: 201--205).
I. Ives as Author

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Music and Its Future [Muziek en haar Toekomst].” Translated to Dutch by J. Bernlef. In Charles Ives, 104--111. Amsterdam, Netherlands: De Bezige Bij, 1969.
I. Ives as Author

Ives, Charles; Jan Bernlef, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” Dutch translation by Jan Bernlef.
Source: [B0534: 104--111).
I. Ives as Author

Ives, Charles; Julian A. Ripley, editor

Year: 1925
Complete Citation:
Quarter- Century Record of the Class of 1898, Yale College, edited by Julien A. Ripley (Class Steward). New York: The Class Secre-tary Bureau, 1925: 142--143.
Source: University Publication
I. Ives as Author

Ives, Charles; Meyer, Felix, translator

Complete Citation:
Ives, Charles. “Postface.” German translation by Felix Meyer.
Source: {B1079: 133-14}.
I. Ives as Author

Ives, Charles / Meyer, Felix translator

Complete Citation:
German by Felix Meyer
Source: [B1079: 27-131}.
I. Ives as Author

Ives, Charles; Viviana Aliberti, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” French translation by Viviana Aliberti
Source: {B1107: 176--180}.
I. Ives as Author

Johnson, Lockrem

Year: 1960
Complete Citation:
Johnson, Lockrem. “Reviewed Works: Robert Browning Overture, for Large Orchestra by Charles E. Ives; The Rainbow (After the Poem by William Wordsworth), for Chamber Orchestra. [Flute, Basset or English Horn, str. and Piano] by Charles E. Ives; Persian Set. [Picc. (Or Fl.), Cl. Tar. (Or Guitar or Mandolin), Dr. (Persian Dr. or Tom-Tom), Vlns. I, II, III, Vc., Cb., Piano] by Henry Cowell.” Notes, vol. 17, no. 4 (September 1960): 656-657.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Keys, Ivor

Year: 1952
Complete Citation:
Keys, Ivor. “Sonata No. 3.” Music & Letters 33, no. 1 (January 1952): 91-92.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirby, Fred

Year: 1967
Complete Citation:
Kirby, Fred. “Ives Boom Boon to Peer- Southern.” Billboard 79 (April 22, 1967): 32--33.
Notes:

Includes comments from Wladimir Lakond, international director of musical education and serious music department of Peer- Southern. States that Peer- Southern has over 100 copyrights of Ives’s music.

Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Kirkpatrick, John

Year: 1949
Complete Citation:
Kirkpatrick, John. “Review of ‘Three-Page Sonata,’ [etc.].” Music Library Association Notes, Second Series, Vol. 6, No. 3 (June, 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices