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Bibliography

Genres

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(-) I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Ives, Charles; Bernlef, Jan, translator

Complete Citation:
Ives, Charles. “Postface.” Dutch translation by Jan Bernlef.
Source: [B0534: 93-103].
I. Ives as Author

Ives, Charles / Carlo Russi and Vincent Barras, translators

Complete Citation:
French by Carlo Russi and Vincent Barras
Source: {B1111: 11-98}.
I. Ives as Author

Ives, Charles E.

Year: 1920
Complete Citation:
Ives, Charles E. Essays Before a Sonata. New York: Knickerbocker Press, 1920.
Source: Book
Reprints:

Ives, Charles E. “Essays Before a Sonata.” In <i>Three Classics in the Aesthetic of Music</i>. New York: Dover, 1962, 103-185.

I. Ives as Author
Year: 1997
Complete Citation:
Ives, Charles E. Prima della Sonate. Translated to Italian by Aloma Bardi. Venice, Italy: Marsilio Editori, 1997.
Source: Book
I. Ives as Author

Ives, Charles; Felix Meyer, translator

Complete Citation:
Ives, Charles. “Music and Its Future.”German translation by Felix Meyer.
Source: (B1142: 201--205).
I. Ives as Author

Ives, Charles; J. Bernlef, trans.

Year: 1969
Complete Citation:
Ives, Charles. “Music and Its Future [Muziek en haar Toekomst].” Translated to Dutch by J. Bernlef. In Charles Ives, 104--111. Amsterdam, Netherlands: De Bezige Bij, 1969.
I. Ives as Author

Ives, Charles; Jan Bernlef, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” Dutch translation by Jan Bernlef.
Source: [B0534: 104--111).
I. Ives as Author

Ives, Charles; Julian A. Ripley, editor

Year: 1925
Complete Citation:
Quarter- Century Record of the Class of 1898, Yale College, edited by Julien A. Ripley (Class Steward). New York: The Class Secre-tary Bureau, 1925: 142--143.
Source: University Publication
I. Ives as Author

Ives, Charles; Meyer, Felix, translator

Complete Citation:
Ives, Charles. “Postface.” German translation by Felix Meyer.
Source: {B1079: 133-14}.
I. Ives as Author

Ives, Charles / Meyer, Felix translator

Complete Citation:
German by Felix Meyer
Source: [B1079: 27-131}.
I. Ives as Author

Ives, Charles; Viviana Aliberti, translator

Complete Citation:
Ives, Charles. “Music and Its Future.” French translation by Viviana Aliberti
Source: {B1107: 176--180}.
I. Ives as Author

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Jones, Chris

Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews